{"id":288,"date":"2026-01-12T21:30:31","date_gmt":"2026-01-12T21:30:31","guid":{"rendered":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/?p=288"},"modified":"2026-01-12T21:35:23","modified_gmt":"2026-01-12T21:35:23","slug":"la-sensibilidad-japonesa-ante-el-paso-del-tiempo-mono-no-ware","status":"publish","type":"post","link":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/2026\/01\/12\/la-sensibilidad-japonesa-ante-el-paso-del-tiempo-mono-no-ware\/","title":{"rendered":"La sensibilidad japonesa ante el paso del tiempo: Mono no ware"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"288\" class=\"elementor elementor-288\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9bc8548 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"9bc8548\" data-element_type=\"container\" 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href=\"https:\/\/revista-vitral.com\/index.php\/sample-page\/\">\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"e-n-menu-title-text\">\n\t\t\t\t\t\t\tAcerca de\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t<\/div>\n\t\t<\/nav>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-21035ba e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"21035ba\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-bad9904 elementor-widget elementor-widget-heading\" data-id=\"bad9904\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">La sensibilidad japonesa ante el paso del tiempo: Mono no ware<\/h3>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b7a4e2d e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"b7a4e2d\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-de21e6a e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"de21e6a\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-229fa05 elementor-widget elementor-widget-heading\" data-id=\"229fa05\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">Autor:<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-12254e5 elementor-widget elementor-widget-text-editor\" data-id=\"12254e5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Marlitt Almod\u00f3var Corona<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-432a922 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"432a922\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ddd4c54 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"ddd4c54\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon\" href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/wp-content\/uploads\/2026\/01\/03.-Almodovar-Marlitt-La-sensibilidad-japonesa-ante-el-paso-del-tiempo.pdf\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-file-pdf\" viewBox=\"0 0 384 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M369.9 97.9L286 14C277 5 264.8-.1 252.1-.1H48C21.5 0 0 21.5 0 48v416c0 26.5 21.5 48 48 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data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Fecha de publicaci\u00f3n<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b365563 elementor-widget elementor-widget-text-editor\" data-id=\"b365563\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>12 de enero de 2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e795bd0 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"e795bd0\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b622941 elementor-widget elementor-widget-text-editor\" data-id=\"b622941\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><b>Palabras clave:<\/b><br \/>Mono no aware, temporalidad, impermanencia, est\u00e9tica cl\u00e1sica japonesa.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6d63387 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"6d63387\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0c4911d elementor-widget elementor-widget-heading\" data-id=\"0c4911d\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Resumen<\/h4>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e7b0931 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"e7b0931\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3a77be4 elementor-widget elementor-widget-text-editor\" data-id=\"3a77be4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\tLa sensibilidad japonesa ante el paso del tiempo puede entenderse a trav\u00e9s del\nconcepto est\u00e9tico de mono no aware, una noci\u00f3n profundamente arraigada en la\ncultura japonesa que expresa una conciencia emocional ante la fugacidad de las\ncosas. Desde Occidente, este t\u00e9rmino resulta dif\u00edcil de traducir y comprender\ncompletamente, ya que no se refiere \u00fanicamente a la tristeza por la p\u00e9rdida o el\ndeterioro, sino a una forma compleja de resonancia emocional entre el individuo y\nlo ef\u00edmero.\nMono no aware influye no solo en el arte y la literatura, sino tambi\u00e9n en la manera\nen que la cultura japonesa concibe la vida, la muerte y el deterioro. A diferencia del\nimpulso occidental hacia la permanencia, lo eterno o la superaci\u00f3n del tiempo, la\nsensibilidad japonesa propone una forma de estar en el mundo en la que el valor\nest\u00e1 precisamente en lo que desaparece. Lejos de ser resignaci\u00f3n, esta actitud\nrepresenta una aceptaci\u00f3n activa y est\u00e9tica de la vida como proceso.\nEn este texto se realiza una revisi\u00f3n te\u00f3rica del concepto mono no aware\ndesglosando el car\u00e1cter temporal impl\u00edcito en el mismo, con el objetivo de\nestablecer el marco te\u00f3rico de una propuesta pict\u00f3rica que aborda el paso del\ntiempo.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5457ae7 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"5457ae7\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-15b52bb elementor-widget elementor-widget-heading\" data-id=\"15b52bb\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Referencias<\/h4>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-574bfe9 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"574bfe9\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7f86804 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"7f86804\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Ito Ujitaka \u4f0a\u85e4\u6c0f\u8cb4 (2018) Bi no Nihon\u300c\u7f8e\u306e\u65e5\u672c\uff1a\u300c\u3082\u306e\u306e\u3042\u306f\u308c\u300d\u304b\u3089\u300c\u53ef\u611b\u3044\u300d\u307e\u3067\u300dEditorial Meiji Daigaku. Jap\u00f3n Koujiten Diccionario de la lengua Japonesa. Recuperado de https:\/\/kojien.iwanami.co.jp\/<br \/>Lanzaco Salamanca, Federico (2003) Los valores est\u00e9ticos en la cultura cl\u00e1sica japonesa. Editorial Verbum. Espa\u00f1a.<br \/>Mahop, M (2012) Ontolog\u00eda del Fuego: Una hermen\u00e9utica de lo ef\u00edmero en la poes\u00eda de Octavio Paz y Jos\u00e9 Emilio Pacheco. Tesis Doctoral Universidad Complutense de Madrid<br \/>Marra, Michelle. (2002) Modern Japanese Aesthetics. University of Hawaii Press. Hawaii<br \/>Mizuno, Hisashi, \u6c34\u91ce\u5c1a(2019), Nihon ni okeri shisenkan to biishiki: mono no aware \u65e5\u672c\u306b\u304a\u3051\u308b\u81ea\u7136\u89b3\u3068\u7f8e\u610f\u8b58 \u3082\u306e\u306e\u3042\u308f\u308c (Acerca de la sensaci\u00f3n de naturaleza y concepci\u00f3n est\u00e9tica japonesa: Mono no aware) Recuperado de https:\/\/bohemegalante.com\/2019\/10\/25\/monono-aware\/<br \/>Szostak, John (2019) Tradici\u00f3n Redux: The presence of the Past in Contemporary<br \/>Japanese Art. Colegio de M\u00e9xico. CDMX<br \/>Takahashi, Hironobu.\u9ad8\u6a4b\u6d69\u4f38 (2004) Nihonjin no biishiki ni kansuru kisoteki kenkyuu: \u201cBi\u201d no gainen tosite no \u201caimai\u201d ni kan suru kenkyuu. \u65e5\u672c\u4eba\u306e\u7f8e\u610f\u8b58\u306b\u95a2\u3059\u308b\u57fa\u790e\u7684\u7814\u7a76\u300c\u7f8e\u300d\u306e\u6982\u5ff5\u3068\u3057\u3066\u306e\u300c\u3042\u3044\u307e\u3044\u300d\u306b\u95a2\u3059\u308b\u7814\u7a76\u3000(Investigaci\u00f3n fundamental sobre las categor\u00edas de belleza de los japoneses: Investigaci\u00f3n sobre Aimai como una categor\u00eda de belleza). Instituto de Dise\u00f1o de la Universidad de Kyushu.Texto de materiales de nihonga<br \/>Vicente Navarro, Eduardo (2006) El tiempo a trav\u00e9s del tiempo. Athenea Digital Revista de pensamiento e investigaci\u00f3n social N\u00famero 9. Recuperado de https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=1970977<br \/>Wakaru Rekishi: Heian Jidai, mono no aware to okashii (\u308f\u304b\u308b\u6b74\u53f2\u300c\u5e73\u5b89\u6642\u4ee3\u300d\u300c\u3082\u306e\u306e\u3042\u306f\u308c\u300d\u3068\u300c\u3092\u304b\u3057\u300dHistoria digerible Periodo Heian, mono no abre y okashi) Recuperado de https:\/\/www.youtube.com\/watch?v=QA-JMhO24Oo<br \/>Yoshida Yoshiyuki \u5409\u7530\u60a6\u4e4b(2015) Nihonjin no kokoro no kotoba, Motoori Norinaga\u300c\u65e5\u672c\u4eba\u306e\u3053\u3053\u308d\u306e\u8a00\u8449 \u672c\u5c45\u5ba3\u9577\u300d(Vocabulario del coraz\u00f3n del pueblo japon\u00e9s: Motoori Norinaga) Editorial JCOPY. Jap\u00f3n.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-51fc4ca e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"51fc4ca\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t<div class=\"elementor-element elementor-element-d4af27f e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"d4af27f\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c2656a8 elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"c2656a8\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/wp-content\/uploads\/2026\/01\/VITRAL-REVISTA-e1768240051951.png\" title=\"VITRAL REVISTA\" alt=\"VITRAL REVISTA\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3963245 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"3963245\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: left; font-size: .5em;\">La Revista Vitral es una publicaci\u00f3n de periodicidad continua que difunde\u00a0<span style=\"letter-spacing: 0px;\">investigaciones de acad\u00e9micos y profesionales interesados en la investigaci\u00f3n\u00a0<\/span><span style=\"letter-spacing: 0px;\">sobre las distintas disciplinas art\u00edsticas y desde perspectivas te\u00f3ricas y\u00a0<\/span><span style=\"letter-spacing: 0px;\">metodol\u00f3gicas diversas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-02bba1f e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"02bba1f\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-75d3cc9 elementor-widget elementor-widget-heading\" data-id=\"75d3cc9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Otros enlaces de inter\u00e9s<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-221f58a elementor-widget elementor-widget-text-editor\" data-id=\"221f58a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: right;\">Revista Discurso Visual<br \/>Artes De M\u00e9xico<br \/>Letras Libres<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Actual C\u00f3digo de \u00e9tica Contacto Acerca de La sensibilidad japonesa ante el paso del tiempo: Mono no ware Autor: Marlitt Almod\u00f3var Corona Fecha de publicaci\u00f3n 12 de enero de 2026 Palabras clave:Mono no aware, temporalidad, impermanencia, est\u00e9tica cl\u00e1sica japonesa. Resumen La sensibilidad japonesa ante el paso del tiempo puede entenderse a trav\u00e9s del concepto est\u00e9tico de mono no aware, una noci\u00f3n profundamente arraigada en la cultura japonesa que expresa una conciencia emocional ante la fugacidad de las cosas. Desde Occidente, este t\u00e9rmino resulta dif\u00edcil de traducir y comprender completamente, ya que no se refiere \u00fanicamente a la tristeza por la p\u00e9rdida o el deterioro, sino a una forma compleja de resonancia emocional entre el individuo y lo ef\u00edmero. Mono no aware influye no solo en el arte y la literatura, sino tambi\u00e9n en la manera en que la cultura japonesa concibe la vida, la muerte y el deterioro. A diferencia del impulso occidental hacia la permanencia, lo eterno o la superaci\u00f3n del tiempo, la sensibilidad japonesa propone una forma de estar en el mundo en la que el valor est\u00e1 precisamente en lo que desaparece. Lejos de ser resignaci\u00f3n, esta actitud representa una aceptaci\u00f3n activa y est\u00e9tica de la vida como proceso. En este texto se realiza una revisi\u00f3n te\u00f3rica del concepto mono no aware desglosando el car\u00e1cter temporal impl\u00edcito en el mismo, con el objetivo de establecer el marco te\u00f3rico de una propuesta pict\u00f3rica que aborda el paso del tiempo. Referencias Ito Ujitaka \u4f0a\u85e4\u6c0f\u8cb4 (2018) Bi no Nihon\u300c\u7f8e\u306e\u65e5\u672c\uff1a\u300c\u3082\u306e\u306e\u3042\u306f\u308c\u300d\u304b\u3089\u300c\u53ef\u611b\u3044\u300d\u307e\u3067\u300dEditorial Meiji Daigaku. Jap\u00f3n Koujiten Diccionario de la lengua Japonesa. Recuperado de https:\/\/kojien.iwanami.co.jp\/Lanzaco Salamanca, Federico (2003) Los valores est\u00e9ticos en la cultura cl\u00e1sica japonesa. Editorial Verbum. Espa\u00f1a.Mahop, M (2012) Ontolog\u00eda del Fuego: Una hermen\u00e9utica de lo ef\u00edmero en la poes\u00eda de Octavio Paz y Jos\u00e9 Emilio Pacheco. Tesis Doctoral Universidad Complutense de MadridMarra, Michelle. (2002) Modern Japanese Aesthetics. University of Hawaii Press. HawaiiMizuno, Hisashi, \u6c34\u91ce\u5c1a(2019), Nihon ni okeri shisenkan to biishiki: mono no aware \u65e5\u672c\u306b\u304a\u3051\u308b\u81ea\u7136\u89b3\u3068\u7f8e\u610f\u8b58 \u3082\u306e\u306e\u3042\u308f\u308c (Acerca de la sensaci\u00f3n de naturaleza y concepci\u00f3n est\u00e9tica japonesa: Mono no aware) Recuperado de https:\/\/bohemegalante.com\/2019\/10\/25\/monono-aware\/Szostak, John (2019) Tradici\u00f3n Redux: The presence of the Past in ContemporaryJapanese Art. Colegio de M\u00e9xico. CDMXTakahashi, Hironobu.\u9ad8\u6a4b\u6d69\u4f38 (2004) Nihonjin no biishiki ni kansuru kisoteki kenkyuu: \u201cBi\u201d no gainen tosite no \u201caimai\u201d ni kan suru kenkyuu. \u65e5\u672c\u4eba\u306e\u7f8e\u610f\u8b58\u306b\u95a2\u3059\u308b\u57fa\u790e\u7684\u7814\u7a76\u300c\u7f8e\u300d\u306e\u6982\u5ff5\u3068\u3057\u3066\u306e\u300c\u3042\u3044\u307e\u3044\u300d\u306b\u95a2\u3059\u308b\u7814\u7a76\u3000(Investigaci\u00f3n fundamental sobre las categor\u00edas de belleza de los japoneses: Investigaci\u00f3n sobre Aimai como una categor\u00eda de belleza). Instituto de Dise\u00f1o de la Universidad de Kyushu.Texto de materiales de nihongaVicente Navarro, Eduardo (2006) El tiempo a trav\u00e9s del tiempo. Athenea Digital Revista de pensamiento e investigaci\u00f3n social N\u00famero 9. Recuperado de https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=1970977Wakaru Rekishi: Heian Jidai, mono no aware to okashii (\u308f\u304b\u308b\u6b74\u53f2\u300c\u5e73\u5b89\u6642\u4ee3\u300d\u300c\u3082\u306e\u306e\u3042\u306f\u308c\u300d\u3068\u300c\u3092\u304b\u3057\u300dHistoria digerible Periodo Heian, mono no abre y okashi) Recuperado de https:\/\/www.youtube.com\/watch?v=QA-JMhO24OoYoshida Yoshiyuki \u5409\u7530\u60a6\u4e4b(2015) Nihonjin no kokoro no kotoba, Motoori Norinaga\u300c\u65e5\u672c\u4eba\u306e\u3053\u3053\u308d\u306e\u8a00\u8449 \u672c\u5c45\u5ba3\u9577\u300d(Vocabulario del coraz\u00f3n del pueblo japon\u00e9s: Motoori Norinaga) Editorial JCOPY. Jap\u00f3n. La Revista Vitral es una publicaci\u00f3n de periodicidad continua que difunde\u00a0investigaciones de acad\u00e9micos y profesionales interesados en la investigaci\u00f3n\u00a0sobre las distintas disciplinas art\u00edsticas y desde perspectivas te\u00f3ricas y\u00a0metodol\u00f3gicas diversas. Otros enlaces de inter\u00e9s Revista Discurso VisualArtes De M\u00e9xicoLetras Libres<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-288","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/posts\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/comments?post=288"}],"version-history":[{"count":7,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/posts\/288\/revisions"}],"predecessor-version":[{"id":297,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/posts\/288\/revisions\/297"}],"wp:attachment":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/media?parent=288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/categories?post=288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/tags?post=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}