{"id":174,"date":"2025-10-31T17:52:38","date_gmt":"2025-10-31T17:52:38","guid":{"rendered":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/?page_id=174"},"modified":"2025-10-31T19:56:34","modified_gmt":"2025-10-31T19:56:34","slug":"integrantes","status":"publish","type":"page","link":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/integrantes\/","title":{"rendered":"Integrantes"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"174\" class=\"elementor elementor-174\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3782a7b3 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"3782a7b3\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-21b4369e elementor-widget__width-initial elementor-widget 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menu-item-207\"><a href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/integrantes\/\" class=\"elementor-item\">Integrantes<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-217\"><a href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/elementor-pagina-208\/\" class=\"elementor-item\">Estructura<\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t\t<div class=\"elementor-menu-toggle\" role=\"button\" tabindex=\"0\" aria-label=\"Menu Toggle\" aria-expanded=\"false\">\n\t\t\t<svg aria-hidden=\"true\" role=\"presentation\" class=\"elementor-menu-toggle__icon--open e-font-icon-svg e-eicon-menu-bar\" viewBox=\"0 0 1000 1000\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M104 333H896C929 333 958 304 958 271S929 208 896 208H104C71 208 42 237 42 271S71 333 104 333ZM104 583H896C929 583 958 554 958 521S929 458 896 458H104C71 458 42 487 42 521S71 583 104 583ZM104 833H896C929 833 958 804 958 771S929 708 896 708H104C71 708 42 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tabindex=\"-1\">Inicio<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-has-children menu-item-161\"><a href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/seminario\/\" class=\"elementor-item\" tabindex=\"-1\">Seminario<\/a>\n<ul class=\"sub-menu elementor-nav-menu--dropdown\">\n\t<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-167\"><a href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/lineas-de-investigacion\/\" class=\"elementor-sub-item\" tabindex=\"-1\">L\u00edneas de investigaci\u00f3n<\/a><\/li>\n\t<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-173\"><a href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/metodologia-de-trabajo\/\" class=\"elementor-sub-item\" tabindex=\"-1\">Metodolog\u00eda de trabajo<\/a><\/li>\n<\/ul>\n<\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-207\"><a href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/integrantes\/\" class=\"elementor-item\" tabindex=\"-1\">Integrantes<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-217\"><a href=\"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/elementor-pagina-208\/\" class=\"elementor-item\" tabindex=\"-1\">Estructura<\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3c1f5ae4 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"3c1f5ae4\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-5a751c6 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"5a751c6\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-211cb6fd elementor-widget elementor-widget-text-editor\" data-id=\"211cb6fd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<h4><b>Amad\u00eds Ross<\/b><\/h4>\n<h4><b>\u30a2\u30de\u30c7\u30a3\u30b9\u30fb\u30ed\u30c3\u30b9<\/b><\/h4>\n<p>Coordinador del Seminario. Escritor y acad\u00e9mico. Le interesan el papel de la ciencia ficci\u00f3n&nbsp;<span style=\"letter-spacing: 0px;\">en la conformaci\u00f3n de la identidad, las resistencias ante el proceso de homogenizaci\u00f3n de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">la modernidad occidental y los estudios comparados entre M\u00e9xico y Jap\u00f3n. Miembro de la&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Sociedad General de Escritores de M\u00e9xico desde 1998. Estudioso de la cultura japonesa&nbsp;<\/span><span style=\"letter-spacing: 0px;\">desde 1999. Es tambi\u00e9n coordinador del Seminario Est\u00e9ticas de Ciencia Ficci\u00f3n (Cenidiap,&nbsp;<\/span><span style=\"letter-spacing: 0px;\">INBAL).<\/span><\/p>\n<p><span style=\"letter-spacing: 0px;\">Contacto: cenidiap.sepiacmj@inba.gob.mx<\/span><\/p>\n<p>Tel\u00e9fono: (+52) 55 4845 8262<\/p>\n<p>\u672c\u30bb\u30df\u30ca\u30fc\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3002\u56fd\u7acb\u82b8\u8853\u6587\u5b66\u9662\u56fd\u7acb\u9020\u5f62\u82b8\u8853\u7814\u7a76\u8cc7\u6599\u60c5\u5831\u30bb\u30f3\u30bf<span style=\"letter-spacing: 0px;\">\u30fc\uff08Cenidiap, INBAL\uff09\u52e4\u52d9\u3000\u5c0f\u8aac\u5bb6\u3001\u5b66\u8005\u3002\u897f\u6d0b\u8fd1\u4ee3\u5316\u306e\u5747\u8cea\u5316\u30d7\u30ed\u30bb\u30b9\u306b\u5bfe\u3059\u308b\u62b5\u6297<\/span><span style=\"letter-spacing: 0px;\">\u3001SF\u304c\u30a2\u30a4\u30c7\u30f3\u30c6\u30a3\u30c6\u30a3\u306e\u5f62\u6210\u306b\u679c\u305f\u3059\u306e\u5f79\u5272\u3001\u304a\u3088\u3073\u30e1\u30ad\u30b7\u30b3\u3068\u65e5\u672c\u306e\u6bd4\u8f03\u7814\u7a76\u306b&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u95a2\u5fc3\u3092\u62b1\u3044\u3066\u3044\u307e\u3059\u30021998\u5e74\u304b\u3089\u30e1\u30ad\u30b7\u30b3\u4f5c\u5bb6\u5354\u4f1a\u306e\u4e00\u54e1\u3067\u3042\u308a\u30011999\u5e74\u3088\u308a\u65e5\u672c\u6587&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u5316\u306b\u8208\u5473\u3092\u6301\u3061\u59cb\u3081\u3066\u3044\u307e\u3059\u3002\u672c\u30bb\u30df\u30ca\u30fc\u3068\u4e26\u884c\u3057 Cenidiap\u306b\u3066\u300cSF\u7f8e\u5b66\u30bb\u30df\u30ca\u30fc\u300d<\/span><span style=\"letter-spacing: 0px;\">\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u517c\u52d9\u3002<\/span><\/p>\n<p>\u30e1\u30fc\u30eb\u30fbcenidiap.sepiacmj@inba.gob.mx<\/p>\n<p>\u96fb\u8a71: (+52) 55 4845 8262<\/p>\n<h4>Laura Gonz\u00e1lez y Matute<\/h4>\n<h4>\u30e9\u30a6\u30e9\u30fb\u30b4\u30f3\u30b6\u30ec\u30b9\u30fb\u30de\u30c8\u30a5\u30c6<\/h4>\n<div>\n<div>Investigadora y conferencista. Licenciatura en Historia y maestr\u00eda Historia del Arte en la&nbsp;<span style=\"letter-spacing: 0px;\">Facultad de Filosof\u00eda y Letras de la UNAM. Subdirectora de Investigaci\u00f3n del Cenidiap de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">2000 a 2002. Subdirectora del Museo de Arte Moderno del Instituto Nacional de Bellas&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Artes y Literatura de 2002 a 2007. Ha publicado los libros Escuelas de Pintura al Aire Libre y&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Centros Populares de Pintura (1987), \u00a130-30! Contra la Academia de Pintura (1992), Jos\u00e9&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Clemente Orozco. Escen\u00f3grafo (2000), y \u201cTamiji Kitagawa, un pincel trasciende fronteras\u201d&nbsp;<\/span><span style=\"letter-spacing: 0px;\">en el Semanario Permanente de Investigaci\u00f3n de Arte y Cultura M\u00e9xico-Jap\u00f3n (2022).&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Realiz\u00f3 el video Murales en movimiento. Jos\u00e9 Clemente Orozco, escen\u00f3grafo y las hermanas<\/span><\/div>\n<div>Campobello (2022), presentado en el Festival Internacional Shorts M\u00e9xico y galardonado&nbsp;<span style=\"letter-spacing: 0px;\">con doce laureles internacionales.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: gomatla@yahoo.com.mx<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u7814\u7a76\u8005\u304a\u3088\u3073\u8b1b\u6f14\u8005\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\uff08UNAM\uff09\u54f2\u5b66\u30fb\u6587\u5b66\u90e8\u3067\u6b74\u53f2\u5b66\u306e\u5b66\u58eb\u53f7<span style=\"letter-spacing: 0px;\">\u3001\u304a\u3088\u3073\u7f8e\u8853\u53f2\u306e\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u30022000\u5e74\u304b\u30892002\u5e74\u307e\u3067Cenidiap\u306e\u7814\u7a76\u90e8\u9580\u306e\u526f\u6240\u9577<\/span><span style=\"letter-spacing: 0px;\">\u30022002\u5e74\u304b\u30892007\u5e74\u307e\u3067\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u7f8e\u8853\u6587\u5b66\u7814\u7a76\u6240\u306e\u73fe\u4ee3\u7f8e\u8853\u9928\u306e\u526f\u6240\u9577\u3002\u8457\u66f8\u306b<\/span><span style=\"letter-spacing: 0px;\">\u306f\u3001\u300eEscuelas de Pintura al Aire Libre y Centros Populares de Pintura\u300f\uff081987\u5e74<\/span><span style=\"letter-spacing: 0px;\">\uff09\u3001\u300e\u00a130-30! Contra la Academia de Pintura\u300f\uff081992\u5e74\uff09\u3001\u300eJos\u00e9 Clemente Orozco.&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Escen\u00f3grafo\u300f\uff082000\u5e74\uff09\u3001\u304a\u3088\u3073\u300eTamiji Kitagawa, un pincel trasciende<\/span><span style=\"letter-spacing: 0px;\">fronteras\u300f\uff082022\u5e74\uff09\u3001\u30e1\u30ad\u30b7\u30b3\u65e5\u672c\u6587\u5316\u82b8\u8853\u7814\u7a76\u5e38\u8a2d\u30bb\u30df\u30ca\u30fc\u9031\u520a\u8a8c\u3067\u5236\u4f5c\u3055\u308c\u305f\u6587<\/span><span style=\"letter-spacing: 0px;\">\u7ae0\u3002\u300c\u52d5\u304f\u58c1\u753b\u3002\u30db\u30bb\u30fb\u30af\u30ec\u30e1\u30f3\u30c6\u30fb\u30aa\u30ed\u30b9\u30b3\u3001\u821e\u53f0\u7f8e\u8853\u5bb6\u3001\u305d\u3057\u3066\u30ab\u30f3\u30dd\u30d9\u30fc\u30b8\u30e7\u59c9<\/span><span style=\"letter-spacing: 0px;\">\u59b9\u300d\uff082022\u5e74\uff09\u3068\u3044\u3046\u30d3\u30c7\u30aa\u3092\u5236\u4f5c\u3057\u307e\u3057\u305f\u3002\u3053\u306e\u4f5c\u54c1\u306f\u56fd\u969b\u30b7\u30e7\u30fc\u30c8\u30d5\u30a3\u30eb\u30e0\u30d5\u30a7\u30b9&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u30c6\u30a3\u30d0\u30eb\u30fb\u30e1\u30ad\u30b7\u30b3\u3067\u4e0a\u6620\u3055\u308c\u300112\u306e\u56fd\u969b\u7684\u306a\u8cde\u3092\u53d7\u8cde\u3057\u307e\u3057\u305f\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbgomatla@yahoo.com.mx<\/div>\n<div>&nbsp;<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Mar\u00eda Teresa Favela Fierro<\/h4>\n<h4>\u30de\u30ea\u30a2\u30fb\u30c6\u30ec\u30b5\u30fb\u30d5\u30a1\u30d9\u30e9\u30fb\u30d5\u30a3\u30a8\u30ed<\/h4>\n<div>Licenciada en Historia del Arte por la Universidad Iberoamericana. Maestr\u00eda y doctorado en&nbsp;<span style=\"letter-spacing: 0px;\">Historia del Arte en la Facultad de Filosof\u00eda y Letras de la UNAM, obteniendo este \u00faltimo&nbsp;<\/span><span style=\"letter-spacing: 0px;\">con menci\u00f3n honor\u00edfica. Investigadora del Centro Nacional de Investigaci\u00f3n,&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Documentaci\u00f3n e Informaci\u00f3n de Artes Pl\u00e1sticas del INBAL. Destacan sus libros Jorge&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Gonz\u00e1lez Camarena. Universo pl\u00e1stico; Francisco Goitia, pintor del alma del pueblo mexicano;&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Waldemar Sj\u00f6lander. El gran lenguaje del color; Tosia Malamud. La materia tras la forma; El&nbsp;<\/span><span style=\"letter-spacing: 0px;\">misticismo de los escultores japoneses en M\u00e9xico, y Pol\u00edtica cultural del INBA durante los a\u00f1os&nbsp;<\/span><span style=\"letter-spacing: 0px;\">50 a 70: bienales y concursos de escultura. Ha curado m\u00faltiples exhibiciones. Ha organizado&nbsp;<\/span><span style=\"letter-spacing: 0px;\">dos foros de Escultura Mexicana. Ocup\u00f3 el puesto de Presidenta de la Secci\u00f3n Mexicana de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">la Asociaci\u00f3n Internacional de Cr\u00edticos de Arte (AICA).<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: terefavela1@hotmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u30a2\u30a4\u30d9\u30ed\u30a2\u30e1\u30ea\u30ab\u5927\u5b66\u3067\u7f8e\u8853\u53f2\u306e\u5b66\u58eb\u53f7\u3092\u53d6\u5f97\u3002UNAM\u306e\u54f2\u5b66\u30fb\u6587\u5b66\u90e8\u3067\u7f8e\u8853\u53f2\u306e\u4fee\u58eb&nbsp;<span style=\"letter-spacing: 0px;\">\u53f7\u3068\u535a\u58eb\u53f7\u3092\u53d6\u5f97\u3057\u3001\u5f8c\u8005\u306f\u512a\u7b49\u8a55\u4fa1\u3092\u53d7\u3051\u307e\u3057\u305f\u3002INBAL\u306e\u7f8e\u8853\u95a2\u9023\u306e\u56fd\u7acb\u7814\u7a76\u3001\u6587<\/span><span style=\"letter-spacing: 0px;\">\u732e\u3001\u60c5\u5831\u30bb\u30f3\u30bf\u30fc\u306e\u7814\u7a76\u8005\u3002\u5f7c\u5973\u306e\u8457\u66f8\u306b\u306f\u300cJorge Gonz\u00e1lez Camarena. Universo&nbsp;<\/span><span style=\"letter-spacing: 0px;\">pl\u00e1stico\u300d\u3001\u300cFrancisco Goitia, pintor del alma del pueblo mexicano\u300d\u3001\u300cWaldemar Sj\u00f6lander.&nbsp;<\/span><span style=\"letter-spacing: 0px;\">El gran lenguaje del color\u300d\u3001\u300cTosia Malamud. La materia tras la forma\u300d\u3001\u300cEl misticismo de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">los escultores japoneses en M\u00e9xico\u300d\u3001\u300cPol\u00edtica cultural del INBA durante los a\u00f1os 50 a 70:&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Bienales y concursos de escultura\u300d\u306a\u3069\u304c\u3042\u308a\u307e\u3059\u3002\u5f7c\u5973\u306f\u591a\u304f\u306e\u5c55\u793a\u4f1a\u3092\u30ad\u30e5\u30ec\u30fc\u30b7<\/span><span style=\"letter-spacing: 0px;\">\u30e7\u30f3\u3057\u3066\u3044\u307e\u3059\u3002\u307e\u305f\u3001\u30e1\u30ad\u30b7\u30b3\u5f6b\u523b\u30d5\u30a9\u30fc\u30e9\u30e0\u30922\u56de\u7d44\u7e54\u3057\u307e\u3057\u305f\u3002\u56fd\u969b\u7f8e\u8853\u8a55\u8ad6\u5bb6<\/span><span style=\"letter-spacing: 0px;\">\u5354\u4f1a\uff08AICA\uff09\u306e\u30e1\u30ad\u30b7\u30b3\u652f\u90e8\u306e\u4f1a\u9577\u3082\u52d9\u3081\u307e\u3057\u305f\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbterefavela1@hotmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Nina Hasegawa<\/h4>\n<h4>\u9577\u8c37\u5ddd \u30cb\u30ca<\/h4>\n<div>Profesora del Departamento de Estudios Hisp\u00e1nicos de la Facultad de Estudios Extranjeros&nbsp;<span style=\"letter-spacing: 0px;\">de la Universidad Sophia. Especialista en Japonolog\u00eda y Literatura-Cultura Comparadas.&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Curs\u00f3 sus estudios de licenciatura en la Universidad de Estudios Extranjeros de Tokio y de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">maestr\u00eda y doctorado en la Universidad de Tokio. Se dedica al estudio del impreso popular&nbsp;<\/span><span style=\"letter-spacing: 0px;\">mexicano de finales del siglo XIX principios del XX, a la comparaci\u00f3n de valores culturales y&nbsp;<\/span><span style=\"letter-spacing: 0px;\">a la formaci\u00f3n de la identidad.<\/span><\/div>\n<div>Contacto: ninalluhi@gmail.com<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u4e0a\u667a\u5927\u5b66\u5916\u56fd\u8a9e\u5b66\u90e8\u30a4\u30b9\u30d1\u30cb\u30a2\u8a9e\u5b66\u79d1\u6559\u6388\u3002\u5c02\u9580\u5206\u91ce\u306f\u65e5\u672c\u8a9e\u30fb\u65e5\u672c\u5b66\uff08\u6771\u4eac\u5916\u56fd\u8a9e\u5927&nbsp;<span style=\"letter-spacing: 0px;\">\u5b66\u5b66\u58eb\u8ab2\u7a0b\uff09\u53ca\u3073\u6bd4\u8f03\u6587\u5b66\u30fb\u6bd4\u8f03\u6587\u5316\uff08\u6771\u4eac\u5927\u5b66\u535a\u58eb\u524d\u671f\u8ab2\u7a0b\u30fb\u535a\u58eb\u5f8c\u671f\u8ab2\u7a0b\uff09\u3002\u7814\u7a76&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u5206\u91ce\u306f\uff11\uff19\u4e16\u7d00\u672b\uff12\uff10\u4e16\u7d00\u521d\u982d\u30e1\u30ad\u30b7\u30b3\u5927\u8846\u5411\u3051\u5370\u5237\u7269\u3002\u65e5\u672c\u3068\u30e9\u30c6\u30f3\u30a2\u30e1\u30ea\u30ab\u306b\u304a\u3051<\/span><span style=\"letter-spacing: 0px;\">\u308b\u6587\u5316\u7684\u4fa1\u5024\u89b3\u306e\u6bd4\u8f03\u7814\u7a76\u3002\u30e1\u30ad\u30b7\u30b3\u3092\u4e2d\u5fc3\u3068\u3057\u305f\u5357\u7c73\u306e\u30a2\u30a4\u30c7\u30f3\u30c6\u30a3\u30c6\u30a3\u5f62\u6210\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbninalluhi@gmail.com<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>&nbsp;<\/h4>\n<h4>Sergio Hern\u00e1ndez Galindo<\/h4>\n<h4>\u30bb\u30eb\u30d2\u30aa\u30fb\u30a8\u30eb\u30ca\u30f3\u30c7\u30b9\u30fb\u30ac\u30ea\u30f3\u30c9<\/h4>\n<div>Es profesor-investigador titular de la Direcci\u00f3n de Estudios Hist\u00f3ricos del INAH. Se&nbsp;<span style=\"letter-spacing: 0px;\">especializ\u00f3 en la Historia de Jap\u00f3n en el Centro de Estudios de Asia y \u00c1frica de El Colegio de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">M\u00e9xico. Sus l\u00edneas de investigaci\u00f3n se centran en la construcci\u00f3n de las relaciones entre&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Jap\u00f3n y M\u00e9xico desde una perspectiva mundial as\u00ed como en la cultura y la historia de la&nbsp;<\/span><span style=\"letter-spacing: 0px;\">inmigraci\u00f3n japonesa en M\u00e9xico y Latinoam\u00e9rica.<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>Contacto: sergioherg@prodigy.net.mx<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>INAH\uff08\u56fd\u7acb\u4eba\u985e\u5b66\u6b74\u53f2\u7814\u7a76\u6240\uff09\u6b74\u53f2\u7814\u7a76\u90e8\u6b63\u6559\u6388\u7814\u7a76\u54e1\u3002COLMEX\uff08\u30e1\u30ad\u30b7\u30b3\u5927\u5b66\u9662&nbsp;<span style=\"letter-spacing: 0px;\">\u5927\u5b66\uff09\u30a2\u30b8\u30a2\u30fb\u30a2\u30d5\u30ea\u30ab\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u3067\u65e5\u672c\u6b74\u53f2\u3092\u5c02\u653b\u3002\u30b0\u30ed\u30fc\u30d0\u30eb\u306a\u8996\u70b9\u304b\u3089\u306e\u65e5\u672c<\/span><span style=\"letter-spacing: 0px;\">\u3068\u30e1\u30ad\u30b7\u30b3\u306e\u95a2\u4fc2\u69cb\u7bc9\u306e\u6b74\u53f2\u3001\u307e\u305f\u3001\u30e1\u30ad\u30b7\u30b3\u53ca\u3073\u4ed6\u306e\u30e9\u30c6\u30f3\u30a2\u30e1\u30ea\u30ab\u8af8\u56fd\u3078\u306e\u65e5\u672c\u79fb&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u6c11\u306e\u6587\u5316\u3068\u6b74\u53f2\u3092\u4e3b\u306a\u7814\u7a76\u30c6\u30fc\u30de\u3068\u3057\u3066\u3044\u308b\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbsergioherg@prodigy.net.mx<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Marlitt Almod\u00f3var<\/h4>\n<h4>\u30de\u30fc\u30ea\u30c3\u30c8\u30fb\u30a2\u30b9\u30e2\u30c9\u30d0\u30eb<\/h4>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>Artista visual. Licenciatura en Artes Visuales, Facultad de Artes y Dise\u00f1o de la UNAM.&nbsp;<span style=\"letter-spacing: 0px;\">Maestr\u00eda en Pintura con el tema de investigaci\u00f3n \u201cNihonga y el paso del tiempo\u201d, UNAM.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: marlitt@gmail.com<\/div>\n<div>&nbsp;<\/div>\n<div>Instagram: @vanitiangirl<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u8996\u899a\u82b8\u8853\u5bb6\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\u82b8\u8853\u30fb\u30c7\u30b6\u30a4\u30f3\u5b66\u90e8\u3067\u8996\u899a\u82b8\u8853\u306e\u5b66\u58eb\u53f7\u3092\u53d6\u5f97<span style=\"letter-spacing: 0px;\">\u3002UNAM\u3067\u300c\u65e5\u672c\u753b\u3068\u6642\u9593\u306e\u7d4c\u904e\u300d\u3068\u3044\u3046\u7814\u7a76\u30c6\u30fc\u30de\u3067\u7d75\u753b\u306e\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbmarlitt@gmail.com<\/div>\n<div>&nbsp;<\/div>\n<div>Instagram\u30fb@vanitiangirl<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Lesly Bernal L\u00f3pez<\/h4>\n<h4>\u30ec\u30b9\u30ea\uff0d\u30fb\u30d9\u30eb\u30ca\u30eb\u30fb\u30ed\u30da\u30b9<\/h4>\n<div>Dise\u00f1adora Gr\u00e1fica. Desde el 2011 es docente de educaci\u00f3n secundaria con especialidad en&nbsp;<span style=\"letter-spacing: 0px;\">Dise\u00f1o y Creaci\u00f3n Pl\u00e1stica. Acreedora de la beca MEXT del gobierno de Jap\u00f3n para el&nbsp;<\/span><span style=\"letter-spacing: 0px;\">programa de maestros en servicio en la Universidad de Educaci\u00f3n de Aichi del 2019 a&nbsp;<\/span><span style=\"letter-spacing: 0px;\">2021. Miembro de la mesa directiva de la Asociaci\u00f3n Mexicana de Exbecarios del Jap\u00f3n&nbsp;<\/span><span style=\"letter-spacing: 0px;\">(AMEJ). Estudiante de maestr\u00eda en Docencia en Artes y Dise\u00f1o de la UNAM. Su l\u00ednea de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">investigaci\u00f3n se centra en la educaci\u00f3n art\u00edstica.<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">Contacto: lybelopez@gmail.com<\/span><\/div>\n<\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>\n<div>\u30b0\u30e9\u30d5\u30a3\u30c3\u30af\u30c7\u30b6\u30a4\u30ca\u30fc\u5c02\u653b\u30022011\u5e74\u4ee5\u964d\u3001\u4e2d\u7b49\u6559\u80b2\u306e\u6559\u5e2b\u3067\u3001\u30c7\u30b6\u30a4\u30f3\u3068\u9020\u5f62\u306b\u7279\u5316<span style=\"letter-spacing: 0px;\">\u3057\u305f\u5c02\u9580\u77e5\u8b58\u3092\u6301\u3063\u3066\u3044\u307e\u3059\u30022019\u5e74\u304b\u30892021\u5e74\u307e\u3067\u3001\u65e5\u672c\u653f\u5e9c\u6587\u90e8\u79d1\u5b66\u7701\u5968\u5b66\u91d1\u3092<\/span><span style=\"letter-spacing: 0px;\">\u53d7\u3051\u3001\u611b\u77e5\u6559\u80b2\u5927\u5b66\u306e\u6559\u54e1\u7814\u4fee\u30d7\u30ed\u30b0\u30e9\u30e0\u3067\u5b66\u3076\u3002\u30e1\u30ad\u30b7\u30b3\u65e5\u672c\u7559\u5b66\u751f\u5354\u4f1a\uff08AMEJ\uff09<\/span><span style=\"letter-spacing: 0px;\">\u306e\u5f79\u54e1\u3082\u52d9\u3081\u3066\u3044\u307e\u3059\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\uff08UNAM\uff09\u3067\u82b8\u8853\u3068\u30c7\u30b6\u30a4\u30f3\u306e\u6559\u80b2\u4fee\u58eb<\/span><span style=\"letter-spacing: 0px;\">\u53f7\u3092\u53d6\u5f97\u4e2d\u306e\u5b66\u751f\u3067\u3042\u308a\u3001\u7814\u7a76\u30c6\u30fc\u30de\u306f\u7f8e\u8853\u6559\u80b2\u306b\u7126\u70b9\u3092\u5f53\u3066\u3066\u3044\u307e\u3059\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fblybelopez@gmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Mario Javier Bogar\u00edn Quintana<\/h4>\n<h4><span style=\"letter-spacing: 0px; text-align: inherit;\">\u30de\u30ea\u30aa\u30fb\u30cf\u30d3\u30a8\u30eb\u30fb\u30dc\u30ac\u30ea\u30f3\u30fb\u30ad\u30f3\u30bf\u30ca<\/span><\/h4>\n<div>Doctor en Ciencias Sociales por El Colegio de Michoac\u00e1n. Profesor-Investigador de Tiempo&nbsp;<span style=\"letter-spacing: 0px;\">Completo y actual Coordinador de Investigaci\u00f3n y Posgrado de la Facultad de Artes de la&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Universidad Aut\u00f3noma de Baja California. Especializado en estudios sobre la recepci\u00f3n de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">culturas populares japonesas contempor\u00e1neas en M\u00e9xico, as\u00ed como en est\u00e9tica y sociolog\u00eda&nbsp;<\/span><span style=\"letter-spacing: 0px;\">del arte pop japon\u00e9s, cultiva adem\u00e1s una l\u00ednea de estudios sobre filosof\u00eda de la Escuela de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Kioto. Ha publicado siete libros como autor \u00fanico y una docena m\u00e1s como coordinador.&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Colabora con diversas instituciones acad\u00e9micas en M\u00e9xico, Europa y Jap\u00f3n en proyectos de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">divulgaci\u00f3n de las culturas mexicana y japonesa. Investigador Nacional Nivel I del Sistema&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Nacional de Investigadores de M\u00e9xico.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: mariobogarin@uabc.edu.mx<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u30a8\u30eb\u30b3\u30ec\u30d2\u30aa\u30c7\u30df\u30c1\u30e7\u30a2\u30ab\u30f3\u3067\u793e\u4f1a\u79d1\u5b66\u306e\u535a\u58eb\u53f7\u3092\u53d6\u5f97. \u30d0\u30cf\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u81ea\u5f8b\u7684\u5927<span style=\"letter-spacing: 0px;\">\u5b66\u82b8\u8853\u5b66\u90e8\u306e\u5e38\u52e4\u6559\u6388\u517c\u7814\u7a76\u8005\u3067\u3042\u308a\u3001\u73fe\u5728\u7814\u7a76\u304a\u3088\u3073\u5927\u5b66\u9662\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3092\u52d9\u3081<\/span><span style=\"letter-spacing: 0px;\">\u3066\u3044\u308b. \u30e1\u30ad\u30b7\u30b3\u306b\u304a\u3051\u308b\u73fe\u4ee3\u65e5\u672c\u306e\u5927\u8846\u6587\u5316\u306e\u53d7\u5bb9\u306b\u95a2\u3059\u308b\u7814\u7a76\u3001\u65e5\u672c\u306e\u30dd\u30c3\u30d7\u30a2\u30fc<\/span><span style=\"letter-spacing: 0px;\">\u30c8\u306e\u7f8e\u5b66\u793e\u4f1a\u5b66\u3092\u5c02\u9580\u3068\u3057\u3001\u4eac\u90fd\u5b66\u6d3e\u306e\u54f2\u5b66\u7814\u7a76\u306e\u4e00\u7cfb\u3082\u57f9\u3063\u3066\u3044\u308b. \u5f7c\u306f\u5358\u72ec\u8457\u8005\u3068<\/span><span style=\"letter-spacing: 0px;\">\u3057\u3066 7 \u518a\u306e\u672c\u3092\u51fa\u7248\u3057\u3001\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3068\u3057\u3066\u3055\u3089\u306b 12 \u518a\u306e\u672c\u3092\u51fa\u7248\u3057\u3066\u3044\u307e\u3059\u3002<\/span><span style=\"letter-spacing: 0px;\">\u5f7c\u306f\u30e1\u30ad\u30b7\u30b3\u3001\u30e8\u30fc\u30ed\u30c3\u30d1\u3001\u65e5\u672c\u306e\u3055\u307e\u3056\u307e\u306a\u5b66\u8853\u6a5f\u95a2\u3068\u5354\u529b\u3057\u3066\u3001\u30e1\u30ad\u30b7\u30b3\u3068\u65e5\u672c\u306e&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u6587\u5316\u3092\u5e83\u3081\u308b\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306b\u53d6\u308a\u7d44\u3093\u3067\u3044\u307e\u3059. \u30e1\u30ad\u30b7\u30b3\u56fd\u5bb6\u7814\u7a76\u8005\u30b7\u30b9\u30c6\u30e0\u306e\u56fd\u5bb6\u7814<\/span><\/div>\n<div>\u7a76\u8005\u30ec\u30d9\u30eb I\u3002<\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbmariobogarin@uabc.edu.mx<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Andr\u00e9s Camacho L\u00f3pez<\/h4>\n<h4><span style=\"letter-spacing: 0px;\">\u30a2\u30f3\u30c9\u30ec\u30b9\u30fb\u30ab\u30de\u30c1\u30e7\u30fb\u30ed\u30da\u30b9<\/span><\/h4>\n<div>&nbsp;<\/div>\n<div>Doctorando en literatura moderna y cultura popular de Jap\u00f3n por parte de la Universidad&nbsp;<span style=\"letter-spacing: 0px;\">de C\u00f3rdoba, Espa\u00f1a. Escritor e investigador en Higashiyoshino, Nara, sobre el Tench\u016bgumi&nbsp;<\/span><span style=\"letter-spacing: 0px;\">y otras revueltas samur\u00e1is del siglo XIX en Jap\u00f3n. Editor de la Tokidoki Hyakush\u014d, revista&nbsp;<\/span><span style=\"letter-spacing: 0px;\">biling\u00fce, espa\u00f1ol y japon\u00e9s, de cuento y fotograf\u00eda, sobre la dial\u00e9ctica sociedad naturaleza<\/span><\/div>\n<div>de los espacios rurales de M\u00e9xico y Jap\u00f3n. Dentro de estos campos de acci\u00f3n, trabaja&nbsp;<span style=\"letter-spacing: 0px;\">principalmente con el seppuku, la evisceraci\u00f3n ritual del samur\u00e1i, y otras formas de muerte&nbsp;<\/span><span style=\"letter-spacing: 0px;\">voluntaria reformuladas dentro de la literatura moderna, el cine y cultura popular de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Jap\u00f3n. Tambi\u00e9n, a partir del estudio de Amino Yoshihiko sobre la diversidad rural y&nbsp;<\/span><span style=\"letter-spacing: 0px;\">campesina asida en el hyakush\u014d, me interesa observar y analizar el trabajo y experiencia&nbsp;<\/span><span style=\"letter-spacing: 0px;\">fotogr\u00e1fica de Kitai Kazuo y otros fot\u00f3grafos sobre el campo japon\u00e9s entre 1950 y 1970.&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Habla sin cohesi\u00f3n sobre todos estos temas en mi podcast llamado \u201cJap\u00f3n es chido\u201d.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: kamachiryuga@gmail.com<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u30b9\u30da\u30a4\u30f3\u3001\u30b3\u30eb\u30c9\u30d0\u5927\u5b66\u306b\u6240\u5c5e\u3057\u3001\u65e5\u672c\u306e\u73fe\u4ee3\u6587\u5b66\u3068\u5927\u8846\u6587\u5316\u3092\u7814\u7a76\u3057\u3066\u3044\u308b\u535a\u58eb\u8ab2\u7a0b<span style=\"letter-spacing: 0px;\">\u5b66\u751f\u3067\u3059\u3002\u307e\u305f\u3001\u5948\u826f\u770c\u6771\u5409\u91ce\u5e02\u3067\u5341\u4e2d\u7d44\u308419\u4e16\u7d00\u306e\u4ed6\u306e\u4f8d\u306e\u53cd\u4e71\u306b\u3064\u3044\u3066\u306e\u4f5c\u5bb6\u304a<\/span><span style=\"letter-spacing: 0px;\">\u3088\u3073\u7814\u7a76\u8005\u3067\u3082\u3042\u308a\u307e\u3059\u3002\u3055\u3089\u306b\u3001\u300e\u30c8\u30ad\u30c9\u30ad\u767e\u59d3\u300f\u3068\u3044\u3046\u30b9\u30da\u30a4\u30f3\u8a9e\u3068\u65e5\u672c\u8a9e\u306e\u30d0\u30a4<\/span><span style=\"letter-spacing: 0px;\">\u30ea\u30f3\u30ac\u30eb\u306a\u7269\u8a9e\u3068\u5199\u771f\u306e\u96d1\u8a8c\u306e\u7de8\u96c6\u8005\u3068\u3057\u3066\u3001\u30e1\u30ad\u30b7\u30b3\u3068\u65e5\u672c\u306e\u8fb2\u6751\u5730\u57df\u306e\u793e\u4f1a\u3068\u81ea\u7136&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u306e\u76f8\u4e92\u4f5c\u7528\u306b\u3064\u3044\u3066\u63a2\u6c42\u3057\u3066\u3044\u307e\u3059\u3002\u3053\u308c\u3089\u306e\u7814\u7a76\u9818\u57df\u306e\u4e2d\u3067\u3001\u4f8d\u306e\u5100\u5f0f\u7684\u306a\u81ea\u5df1\u5207\u8179<\/span><span style=\"letter-spacing: 0px;\">\u3067\u3042\u308b\u5207\u8179\u3084\u3001\u65e5\u672c\u306e\u73fe\u4ee3\u6587\u5b66\u3001\u6620\u753b\u3001\u5927\u8846\u6587\u5316\u306b\u304a\u3044\u3066\u518d\u69cb\u7bc9\u3055\u308c\u305f\u4ed6\u306e\u81ea\u767a\u7684\u306a\u6b7b<\/span><span style=\"letter-spacing: 0px;\">\u306b\u95a2\u9023\u3059\u308b\u30c8\u30d4\u30c3\u30af\u306b\u7126\u70b9\u3092\u5f53\u3066\u3066\u3044\u307e\u3059\u3002\u307e\u305f\u3001\u7db2\u91ce\u5584\u5f66\u306e\u8fb2\u6751\u3068\u8fb2\u6c11\u306e\u591a\u69d8\u6027\u306b\u95a2<\/span><span style=\"letter-spacing: 0px;\">\u3059\u308b\u7814\u7a76\u3092\u53c2\u8003\u306b\u3057\u30011950\u5e74\u304b\u30891970\u5e74\u306e\u9593\u306e\u65e5\u672c\u306e\u8fb2\u6751\u306b\u95a2\u3059\u308b\u5317\u4e95\u4e00\u592b\u3084\u4ed6\u306e\u5199<\/span><span style=\"letter-spacing: 0px;\">\u771f\u5bb6\u306e\u4f5c\u54c1\u3068\u7d4c\u9a13\u3092\u89b3\u5bdf\u3057\u3001\u5206\u6790\u3059\u308b\u3053\u3068\u306b\u8208\u5473\u304c\u3042\u308a\u307e\u3059\u3002\u3053\u308c\u3089\u306e\u30c8\u30d4\u30c3\u30af\u306b\u3064\u3044<\/span><span style=\"letter-spacing: 0px;\">\u3066\u3001\u300cJap\u00f3n es chido\u300d\u3068\u3044\u3046\u30dd\u30c3\u30c9\u30ad\u30e3\u30b9\u30c8\u3067\u7d71\u4e00\u6027\u306e\u306a\u3044\u5f62\u3067\u8a71\u3057\u3066\u3044\u307e\u3059\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbkamachiryuga@gmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Camila Carvallo Bravo<\/h4>\n<h4>\u30ab\u30df\u30e9\u30fb\u30ab\u30eb\u30d0\u30b8\u30aa\u30fb\u30d6\u30e9\u30dc<\/h4>\n<div><span style=\"letter-spacing: 0px;\">Licenciada en Ciencia Pol\u00edtica y Relaciones Internacionales por el Centro de Investigaci\u00f3n y&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Docencia Econ\u00f3micas (CIDE) A. C. Tiene inter\u00e9s en los movimientos migratorios,&nbsp;<\/span><span style=\"letter-spacing: 0px;\">especialmente aquellos provocados por el cambio clim\u00e1tico; as\u00ed como el rol de la mujer en&nbsp;<\/span><span style=\"letter-spacing: 0px;\">la sociedad moderna.<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>Contacto: camila.carvallo.b@gmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u7d4c\u6e08\u7814\u7a76\u3068\u6559\u80b2\u30bb\u30f3\u30bf\u30fc\uff08CIDE\uff09\u306b\u304a\u3044\u3066\u653f\u6cbb\u5b66\u3068\u56fd\u969b\u95a2\u4fc2\u5b66\u306e\u5b66\u58eb\u53f7\u3092\u53d6\u5f97\u3002\u79fb\u6c11<span style=\"letter-spacing: 0px;\">\u306e\u52d5\u304d\u306b\u7279\u306b\u6c17\u3092\u5f15\u304b\u308c\u3001\u7279\u306b\u6c17\u5019\u5909\u52d5\u306b\u3088\u308b\u3082\u306e\u306b\u8208\u5473\u304c\u3042\u308a\u307e\u3059\u3002\u307e\u305f\u3001\u73fe\u4ee3\u793e\u4f1a<\/span><span style=\"letter-spacing: 0px;\">\u306b\u304a\u3051\u308b\u5973\u6027\u306e\u5f79\u5272\u3082\u6ce8\u76ee\u3057\u3066\u3044\u307e\u3059\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbcamila.carvallo.b@gmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Josu\u00e9 B. Gordon Guerrero<\/h4>\n<h4>\u30db\u30b9\u30a8\u30fb\u30d0\u30eb\u30d5\u30fb\u30b4\u30eb\u30c9\u30f3\u30fb\u30b2\u30ec\u30ed<\/h4>\n<div>Director Asociado del Departamento de Medios y Cultura Digital del Tecnol\u00f3gico de&nbsp;<span style=\"letter-spacing: 0px;\">Monterrey, Campus Estado de M\u00e9xico. Investigador y Artista visual. Doctor en Artes por la&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Universidad de Arte y Dise\u00f1o de Kioto, Maestro en Artes Visual por la Facultad de Artes de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">la UNAM y Licenciado en Ciencias de la Comunicaci\u00f3n por el ITESM. Su investigaci\u00f3n y&nbsp;<\/span><span style=\"letter-spacing: 0px;\">producci\u00f3n se mueve entre las esferas del Arte, Cine y Fotograf\u00eda. Actualmente se ocupa en&nbsp;<\/span><span style=\"letter-spacing: 0px;\">el estudio de la producci\u00f3n fotogr\u00e1fica contempor\u00e1nea en Jap\u00f3n.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: jgordon@tec.mx<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u30e2\u30f3\u30c6\u30ec\u30a4\u5de5\u79d1\u5927\u5b66\u3001\u30e1\u30ad\u30b7\u30b3\u5dde\u30ad\u30e3\u30f3\u30d1\u30b9\u306b\u304a\u3051\u308b\u30e1\u30c7\u30a3\u30a2\u3068\u30c7\u30a3\u30b8\u30bf\u30eb\u6587\u5316\u5b66\u90e8\u9577<span style=\"letter-spacing: 0px;\">\u3002\u8996\u899a\u82b8\u8853\u4f5c\u5bb6\u53ca\u3073\u7814\u7a76\u8005\u3002\u4eac\u90fd\u82b8\u8853\u5927\u5b66\uff08\u65e7\u79f0\u3001\u4eac\u90fd\u9020\u5f62\u5927\u5b66\uff09\u306b\u3066\u82b8\u8853\u535a\u58eb\u53f7\u3001\u30e1<\/span><span style=\"letter-spacing: 0px;\">\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\u306b\u3066\u8996\u899a\u82b8\u8853\u4fee\u58eb\u53f7\u3001\u30e2\u30f3\u30c6\u30ec\u30a4\u5de5\u79d1\u5927\u5b66\u306b\u3066\u30b3\u30df\u30e5\u30cb\u30b1\u30fc\u30b7\u30e7\u30f3<\/span><span style=\"letter-spacing: 0px;\">\u5b66\u58eb\u3092\u53d6\u5f97\u3002\u305d\u306e\u4f5c\u54c1\u5236\u4f5c\u53ca\u3073\u7814\u7a76\u306f\u7f8e\u8853\u3001\u6620\u753b\u3068\u5199\u771f\u3092\u5f80\u6765\u3059\u308b\u3002\u73fe\u5728\u3001\u65e5\u672c\u73fe\u4ee3\u5199<\/span><span style=\"letter-spacing: 0px;\">\u771f\u3092\u30c6\u30fc\u30de\u306b\u7814\u7a76\u4e2d\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbjgordon@tec.mx<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>V\u00edctor Manuel Hern\u00e1ndez V\u00e1zquez<\/h4>\n<h4>\u30d3\u30af\u30c3\u30c8\u30eb\u30fb\u30de\u30cc\u30a8\u30eb\u30fb\u30a8\u30eb\u30ca\u30f3\u30c7\u30b9\u30fb\u30d0\u30b9\u30b1\u30b9<\/h4>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>Candidato a doctor en Historia por la Universidad de Sophia. Maestr\u00eda en Estudios de Asia y&nbsp;<span style=\"letter-spacing: 0px;\">\u00c1frica, especialidad Jap\u00f3n, en El Colegio de M\u00e9xico. Licenciatura en Historia (menci\u00f3n&nbsp;<\/span><span style=\"letter-spacing: 0px;\">honor\u00edfica) por la UNAM. Empleado consular en la Embajada de Jap\u00f3n en M\u00e9xico.<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>Contacto: victor.mhv36@gmail.com<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u4e0a\u667a\u5927\u5b66\u3067\u535a\u58eb\u53f7\u53d6\u5f97\u5019\u88dc\u751f\u3002\u30e1\u30ad\u30b7\u30b3\u5927\u5b66\u7dcf\u5408\u7814\u7a76\u6240\uff08El Colegio de M\u00e9xico\uff09\u3067\u30a2\u30b8<span style=\"letter-spacing: 0px;\">\u30a2\u304a\u3088\u3073\u30a2\u30d5\u30ea\u30ab\u7814\u7a76\u306e\u4fee\u58eb\u53f7\uff08\u5c02\u653b\uff1a\u65e5\u672c\uff09\u3092\u53d6\u5f97\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66<\/span><span style=\"letter-spacing: 0px;\">\uff08UNAM\uff09\u3067\u6b74\u53f2\u5b66\u306e\u5b66\u58eb\u53f7\uff08\u512a\u7b49\u8a55\u4fa1\uff09\u3092\u53d6\u5f97\u3002\u5728\u30e1\u30ad\u30b7\u30b3\u65e5\u672c\u5927\u4f7f\u9928\u3067\u306e\u9818\u4e8b\u8077\u54e1<\/span><span style=\"letter-spacing: 0px;\">\u3002<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>\u30e1\u30fc\u30eb\u30fbvictor.mhv36@gmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Edisabel Marrero<\/h4>\n<h4>\u30a8\u30c7\u30a3\u30b5\u30d9\u30eb\u30fb\u30de\u30ec\u30ed\u30fb\u30c6\u30d8\u30c0<\/h4>\n<div>Doctoranda en Historia del Arte por la Facultad de Filosof\u00eda y Letras de la UNAM, es&nbsp;<span style=\"letter-spacing: 0px;\">Maestra en Estudios Japoneses por el CEAA del Colegio de M\u00e9xico. Fue Curadora Asistente&nbsp;<\/span><span style=\"letter-spacing: 0px;\">de la 12\u00aa Bienal de La Habana (2015), Becaria de Investigaci\u00f3n del Museo Nacional de Arte&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Moderno y Contempor\u00e1neo (MMCA, Corea del Sur, 2014), y form\u00f3 parte del Programa de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Curadores de la Bienal de Gwangju (Corea del Sur, 2018).<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: azzulpaula@gmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>UNAM\u306e\u54f2\u5b66\u90e8\u304a\u3088\u3073\u6587\u5b66\u90e8\u306e\u7f8e\u8853\u53f2\u306e\u535a\u58eb\u8ab2\u7a0b\u306e\u5019\u88dc\u8005\u3067\u3059\u3002 \u5f7c\u5973\u306f\u30e1\u30ad\u30b7\u30b3\u5927\u5b66\u9662&nbsp;<span style=\"letter-spacing: 0px;\">CEAA\u3067\u65e5\u672c\u7814\u7a76\u306e\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u3057\u3066\u3044\u307e\u3059\u3002 \u5f7c\u5973\u306f\u7b2c12\u56de\u30cf\u30d0\u30ca\u30d3\u30a8\u30f3\u30ca\u30fc\u30ec<\/span><span style=\"letter-spacing: 0px;\">\uff082015\uff09\u306e\u30a2\u30b7\u30b9\u30bf\u30f3\u30c8\u30ad\u30e5\u30ec\u30fc\u30bf\u30fc\u3001\u56fd\u7acb\u73fe\u4ee3\u7f8e\u8853\u9928\u306e\u30ea\u30b5\u30fc\u30c1\u30d5\u30a7\u30ed\u30fc\uff08\u97d3\u56fd<\/span><span style=\"letter-spacing: 0px;\">\u30012014\uff09\u3001\u305d\u3057\u3066\u5149\u5dde\u30d3\u30a8\u30f3\u30ca\u30fc\u30ec\uff08\u97d3\u56fd\u30012018\uff09\u306e\u30ad\u30e5\u30ec\u30fc\u30bf\u30fc\u30d7\u30ed\u30b0\u30e9\u30e0\u306e\u4e00\u90e8<\/span><span style=\"letter-spacing: 0px;\">\u3067\u3057\u305f\u3002<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>\u30e1\u30fc\u30eb\u30fbazzulpaula@gmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Luis L\u00f3pez Matus<\/h4>\n<h4>\u30eb\u30a4\u30b9\u30fb\u30ed\u30da\u30b9\u30fb\u30de\u30c8\u30a5\u30b9<\/h4>\n<div>Artista y productor visual. Sus proyectos se desplazan entre la cr\u00edtica y la curadur\u00eda&nbsp;<span style=\"letter-spacing: 0px;\">experimental. Maestro en Historia del Arte y doctorante por la UNAM. Sus estudios se&nbsp;<\/span><span style=\"letter-spacing: 0px;\">centran en las corrientes art\u00edsticas del Jap\u00f3n de posguerra y su relaci\u00f3n con otras<\/span><\/div>\n<div>expresiones est\u00e9ticas mundiales.<\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: z03tr0p3@hotmail.com<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u82b8\u8853\u5bb6\u30f4\u30a3\u30b8\u30e5\u30a2\u30eb\u30d7\u30ed\u30c7\u30e5\u30b5\u30fc\u3002UNAM\u3067\u7f8e\u8853\u53f2\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u3057\u3001\u535a\u58eb\u8ab2\u7a0b\u4e2d\u3002\u6279\u8a55<span style=\"letter-spacing: 0px;\">\u3068\u5b9f\u9a13\u7684\u30ad\u30e5\u30ec\u30fc\u30b7\u30e7\u30f3\u306e\u9593\u3092\u63fa\u308c\u52d5\u304f\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u3092\u5c55\u958b\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306f\u6279\u8a55\u3068\u5b9f\u9a13<\/span><span style=\"letter-spacing: 0px;\">\u7684\u30ad\u30e5\u30ec\u30fc\u30b7\u30e7\u30f3\u306e\u9593\u3092\u63fa\u308c\u52d5\u304f\u3002\u5927\u6226\u5f8c\u65e5\u672c\u7f8e\u8853\u306e\u6d41\u308c\u3068\u4e16\u754c\u306e\u7f8e\u5b66\u7684\u8868\u73fe\u3068\u306e\u95a2\u4fc2<\/span><span style=\"letter-spacing: 0px;\">\u3092\u4e2d\u5fc3\u306b\u7814\u7a76\u3002<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>\u30e1\u30fc\u30eb\u30fbz03tr0p3@hotmail.com<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Elizabeth Monroy<\/h4>\n<h4>\u30a8\u30ea\u30b5\u30d9\u30c3\u30c8\u30fb\u30e2\u30f3\u30ed\u30a4\u30fb\u30ed\u30da\u30b9<\/h4>\n<div>&nbsp;<\/div>\n<div>Promotora cultural y productora esc\u00e9nica independiente desde 2008. Licenciada en&nbsp;<span style=\"letter-spacing: 0px;\">Comunicaci\u00f3n por la FES Acatl\u00e1n UNAM. Estudios de licenciatura en Historia del Arte por el&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Universitario Bauhaus (Puebla). Se ha especializado en la investigaci\u00f3n y estudio de la&nbsp;<\/span><span style=\"letter-spacing: 0px;\">cultura japonesa desde una perspectiva semi\u00f3tica, analizando diversas \u00e1reas del&nbsp;<\/span><span style=\"letter-spacing: 0px;\">pensamiento japon\u00e9s como: filosof\u00eda, historia, religi\u00f3n, cultura pop y arte.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: eli.monroy.camino@gmail.com<\/div>\n<div>Facebook: @monroy.eli<\/div>\n<div>Instagram: @elimonroy.camino<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>2008\u5e74\u304b\u3089\u306e\u72ec\u7acb\u3057\u305f\u6587\u5316\u30d7\u30ed\u30e2\u30fc\u30bf\u30fc\u304a\u3088\u3073\u821e\u53f0\u30d7\u30ed\u30c7\u30e5\u30fc\u30b5\u30fc\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea&nbsp;<span style=\"letter-spacing: 0px;\">\u6cbb\u5927\u5b66\u306eFES Acatl\u00e1n\u3067\u30b3\u30df\u30e5\u30cb\u30b1\u30fc\u30b7\u30e7\u30f3\u5b66\u306e\u5b66\u58eb\u53f7\u3092\u53d6\u5f97\u3002\u5f7c\u306f\u307e\u305f\u3001\u30d0\u30a6\u30cf\u30a6\u30b9\u5927<\/span><span style=\"letter-spacing: 0px;\">\u5b66 (\u30d7\u30a8\u30d6\u30e9) \u3067\u7f8e\u8853\u53f2\u306e\u5b66\u90e8\u3092\u5352\u696d\u3057\u307e\u3057\u305f\u3002\u8a18\u53f7\u8ad6\u7684\u306a\u8996\u70b9\u304b\u3089\u65e5\u672c\u306e\u6587\u5316\u306e\u7814\u7a76<\/span><span style=\"letter-spacing: 0px;\">\u3068\u7814\u7a76\u306b\u7279\u5316\u3057\u3066\u304a\u308a\u3001\u54f2\u5b66\u3001\u6b74\u53f2\u3001\u5b97\u6559\u3001\u30dd\u30c3\u30d7\u30ab\u30eb\u30c1\u30e3\u30fc\u3001\u82b8\u8853\u306a\u3069\u3001\u65e5\u672c\u306e\u601d\u60f3<\/span><span style=\"letter-spacing: 0px;\">\u306e\u3055\u307e\u3056\u307e\u306a\u9818\u57df\u3092\u5206\u6790\u3057\u3066\u3044\u307e\u3059\u3002<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>\u30e1\u30fc\u30eb\u30fb eli.monroy.camino@gmail.com<\/div>\n<div>Facebook\u30fb@monroy.eli<\/div>\n<div>Instagram\u30fb@elimonroy.camino<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>\n<h4>Edgar Pel\u00e1ez Mazariegos<\/h4>\n<h4>\u30a8\u30c9\u30ac\u30eb\u30c9\u30fb\u30da\u30e9\u30a8\u30b9\u30fb\u30de\u30b5\u30ea\u30a8\u30b4\u30b9<\/h4>\n<div>&nbsp;<\/div>\n<div>Candidato al grado de doctor en Estudios Internacionales por la Escuela Superior de&nbsp;<span style=\"letter-spacing: 0px;\">Estudios de Asia-Pac\u00edfico de la Universidad de Waseda. Especializado en estudios japoneses <\/span><span style=\"letter-spacing: 0px;\">ha realizado estudios sobre la Estrategia \u201cCool Japan\u201d, la cultura popular japonesa y las&nbsp;<\/span><span style=\"letter-spacing: 0px;\">industrias creativas. En 2012 obtuvo la beca Monbukagakusho (MEXT) para realizar sus<\/span><\/div>\n<div>estudios de posgrado en Jap\u00f3n y fue nombrado Embajador del Festival Internacional de&nbsp;<span style=\"letter-spacing: 0px;\">Contenidos de Jap\u00f3n (CoFesta) por parte del Ministerio de Econom\u00eda del mismo pa\u00eds. En&nbsp;<\/span><span style=\"letter-spacing: 0px;\">2016 fue nombrado Embajador de Cool Japan por la Oficina del Gabinete del Primer&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Ministro de Jap\u00f3n. Otros de sus intereses de investigaci\u00f3n incluyen Relaciones&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Internacionales de Asia-Pac\u00edfico, relaciones M\u00e9xico Jap\u00f3n, sociedad y pol\u00edtica japonesa&nbsp;<\/span><span style=\"letter-spacing: 0px;\">contempor\u00e1nea.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: pelaeze@moegi.waseda.jp<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662\u30a2\u30b8\u30a2\u592a\u5e73\u6d0b\u7814\u7a76\u79d1\u56fd\u969b\u95a2\u4fc2\u5b66\u5c02\u653b\u535a\u58eb\u53f7\u53d6\u5f97\u5019\u88dc\u8005\u3002 \u65e5\u672c\u7814\u7a76\u306e<span style=\"letter-spacing: 0px;\">\u5c02\u9580\u5bb6\u3068\u3057\u3066\u3001\u30af\u30fc\u30eb\u30b8\u30e3\u30d1\u30f3\u6226\u7565\u3001\u65e5\u672c\u5927\u8846\u6587\u5316\u3001\u30af\u30ea\u30a8\u30a4\u30c6\u30a3\u30d6\u7523\u696d\u306e\u7814\u7a76\u3092\u884c\u3063<\/span><span style=\"letter-spacing: 0px;\">\u3066\u3044\u307e\u3059\u30022012\u5e74\u3001\u6587\u90e8\u79d1\u5b66\u7701\u306b\u5968\u5b66\u91d1\u3092\u6388\u4e0e\u3044\u305f\u3060\u304d\u3001\u65e5\u672c\u3067\u306e\u65e9\u7a32\u7530\u5927\u5b66\u5927\u5b66\u9662<\/span><span style=\"letter-spacing: 0px;\">\u30a2\u30b8\u30a2\u592a\u5e73\u6d0b\u7814\u7a76\u79d1\u306b\u9032\u5b66\u3057\u307e\u3057\u305f\u3002\u66f4\u306b\u3001\u65e5\u672c\u7d4c\u6e08\u7701\u304b\u3089JAPAN\u56fd\u969b\u30b3\u30f3\u30c6\u30f3\u30c4\u30d5\u30a7<\/span><span style=\"letter-spacing: 0px;\">\u30b9\u30c6\u30a3\u30d0\u30eb\uff08CoFesta\uff09\u306e\u5927\u4f7f\u306b\u4efb\u547d\u3055\u308c\u307e\u3057\u305f\u30022016\u5e74\u3001\u5185\u95a3\u5e9c\u3088\u308a\u30af\u30fc\u30eb\u30b8\u30e3\u30d1\u30f3<\/span><span style=\"letter-spacing: 0px;\">\u5927\u4f7f\u306b\u4efb\u547d\u3055\u308c\u307e\u3057\u305f\u3002\u4e0a\u8a18\u4ee5\u5916\u306b\u3082\u3001\u4ed6\u306e\u7814\u7a76\u5bfe\u8c61\u306f\u30a2\u30b8\u30a2\u592a\u5e73\u6d0b\u56fd\u969b\u95a2\u4fc2\u3084\u65e5\u58a8\u95a2<\/span><span style=\"letter-spacing: 0px;\">\u4fc2\u3001\u73fe\u4ee3\u306e\u65e5\u672c\u793e\u4f1a\u3068\u653f\u6cbb\u3002<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>\u30e1\u30fc\u30eb\u30fbpelaeze@moegi.waseda.jp<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<\/div>\n<div>\n<h4>Araceli Rebollo Hern\u00e1ndez<\/h4>\n<h4>\u30a2\u30e9\u30bb\u30ea\u30fb\u30ec\u30dc\u30b8\u30e7\u30fb\u30a8\u30eb\u30ca\u30f3\u30c7\u30b9<\/h4>\n<div>Investigadora del CITRU, INBAL. Directora esc\u00e9nica, productora y gestora cultural.&nbsp;<span style=\"letter-spacing: 0px;\">Profesora en la UNAM con especialidad en Teatro Virreinal e Iberoamericano del siglo XX.&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Directora del Festival de Teatro Cl\u00e1sico MX. Est\u00e1 interesada en las estructuras dram\u00e1ticas y&nbsp;<\/span><span style=\"letter-spacing: 0px;\">t\u00e9cnicas esc\u00e9nicas del teatro japon\u00e9s y su influencia en M\u00e9xico.<\/span><\/div>\n<div>&nbsp;<\/div>\n<div>Contacto: arebollo.citru@inba.edu.mx<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>\u56fd\u7acb\u82b8\u8853\u6587\u5b66\u9662\u30ed\u30c9\u30eb\u30d5\u30a9\u30fb\u30a6\u30b7\u30b0\u30ea\u6f14\u5287\u7814\u7a76\u8cc7\u6599\u60c5\u5831\u30bb\u30f3\u30bf\u30fc\u52e4\u52d9\u3000\u6f14\u5287\u30c7\u30a3\u30ec\u30af\u30bf<span style=\"letter-spacing: 0px;\">\u30fc\u3000\u30d7\u30ed\u30c7\u30e5\u30b5\u30fc\u3000\u6587\u5316\u30de\u30cd\u30fc\u30b8\u30e3\u30fc\u3000\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\uff12\uff10\u4e16\u7d00\u30a4\u30d9\u30ed\u30a2\u30e1\u30ea\u30ab<\/span><span style=\"letter-spacing: 0px;\">\u6f14\u5287\u3068\u526f\u738b\u9818\u671f\u6f14\u5287\u5c02\u9580\u6559\u6388\u3000\u30e1\u30ad\u30b7\u30b3\u53e4\u5178\u6f14\u5287\u30d5\u30a7\u30b9\u30c6\u30a3\u30d0\u30eb\u306e\u30b8\u30a7\u30cd\u30e9\u30eb\u30c7\u30a3\u30ec\u30af<\/span><span style=\"letter-spacing: 0px;\">\u30bf\u30fc\u3002<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\">&nbsp;<\/span><\/div>\n<div>\u30e1\u30fc\u30eb\u30fbarebollo.citru@inba.edu.mx<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>\n<div>&nbsp;<\/div>\n<h4>Kazumi Siqueiros<\/h4>\n<h4>\u30ab\u30ba\u30df\u30fb\u30b7\u30b1\u30a4\u30ed\u30b9\u30fb\u30b7\u30de\u30c0<\/h4>\n<div>Coordinadora de Cultura Japonesa en el Liceo Mexicano Japon\u00e9s A. C. Estudi\u00f3 Artes&nbsp;<span style=\"letter-spacing: 0px;\">Visuales en la UNAM y se especializ\u00f3 en Escultura por la Kyoto Saga University of Arts. Se&nbsp;<\/span><span style=\"letter-spacing: 0px;\">ha desempe\u00f1ado como docente y divulgadora de arte y cultura japonesa.<\/span><\/div>\n<div><br><\/div>\n<div>Contacto: kazumi.siqueiros@lmj.edu.mx<\/div>\n<div><br><\/div>\n<div>\n<div>\u65e5\u672c\u30e1\u30ad\u30b7\u30b3\u5b66\u9662\u3001\u65e5\u672c\u6587\u5316\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\u306b\u3066\u8996\u899a\u82b8\u8853\u5b66&nbsp;<span style=\"letter-spacing: 0px;\">\u58eb\u53f7\u53d6\u5f97\u3001\u4eac\u90fd\u5d6f\u5ce8\u7f8e\u8853\u5927\u5b66\u306b\u3066\u5f6b\u523b\u5c02\u653b\u3002\u73fe\u5728\u30e1\u30ad\u30b7\u30b3\u306b\u3066\u65e5\u672c\u82b8\u8853\u53ca\u3073\u6587\u5316\u306e\u6559\u80b2&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u666e\u53ca\u6d3b\u52d5\u306b\u5f93\u4e8b\u3002<\/span><\/div>\n<div><br><\/div>\n<div>\u30e1\u30fc\u30eb\u30fbkazumi.siqueiros@lmj.edu.mx<\/div>\n<\/div>\n<div><br><\/div>\n<div>\n<h4>Alejandra Tapia Silva<\/h4>\n<h4>\u30a2\u30ec\u30cf\u30f3\u30c9\u30e9\u30fb\u30bf\u30d4\u30a2\u30fb\u30b7\u30eb\u30d0<\/h4>\n<div>Editora en el Centro de Investigaciones y Estudios de G\u00e9nero de la Universidad Nacional&nbsp;<span style=\"letter-spacing: 0px;\">Aut\u00f3noma de M\u00e9xico. Licenciada en Letras Modernas Inglesas por la UNAM y maestra en&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Estudios de Asia y \u00c1frica, con especialidad en Jap\u00f3n, por El Colegio de M\u00e9xico. Quince a\u00f1os&nbsp;<\/span><span style=\"letter-spacing: 0px;\">de experiencia en los \u00e1mbitos de la traducci\u00f3n y la edici\u00f3n. Como integrante del comit\u00e9&nbsp;<\/span><span style=\"letter-spacing: 0px;\">asesor del Programa Universitario de Estudios de Asia y \u00c1frica de la UNAM ha coordinado,&nbsp;<\/span><span style=\"letter-spacing: 0px;\">junto con la maestra Vania De la Vega Shiota, el C\u00edrculo de lectura sobre g\u00e9nero en Asia y&nbsp;<\/span><span style=\"letter-spacing: 0px;\">\u00c1frica y el Seminario Internacional de Literatura Japonesa y G\u00e9nero (2020). Ha participado&nbsp;<\/span><span style=\"letter-spacing: 0px;\">en Tsundoku, podcast de literatura japonesa de la Fundaci\u00f3n Jap\u00f3n M\u00e9xico y la Fundaci\u00f3n&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Jap\u00f3n Madrid. Actualmente, es coordinadora acad\u00e9mica de la C\u00e1tedra Extraordinaria&nbsp;<\/span><span style=\"letter-spacing: 0px;\">F\u00e1tima Mernissi de la UNAM (2023-2025).<\/span><\/div>\n<div><br><\/div>\n<div>Contacto: alejandra_tapia@cieg.unam.mx<\/div>\n<\/div>\n<div><br><\/div>\n<div>\n<div>\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\u306e\u30b8\u30a7\u30f3\u30c0\u30fc\u7814\u7a76\u304a\u3088\u3073\u5b66\u7fd2\u30bb\u30f3\u30bf\u30fc\u306e\u7de8\u96c6\u8005\u3067\u3059\u3002\u30e1\u30ad\u30b7\u30b3\u56fd<span style=\"letter-spacing: 0px;\">\u7acb\u81ea\u6cbb\u5927\u5b66\u3067\u82f1\u8a9e\u306e\u73fe\u4ee3\u6587\u5b66\u3092\u5b66\u58eb\u53f7\u3067\u53d6\u5f97\u3057\u3001\u30e1\u30ad\u30b7\u30b3\u5927\u5b66\u3067\u30a2\u30b8\u30a2\u3068\u30a2\u30d5\u30ea\u30ab\u306e\u7814<\/span><span style=\"letter-spacing: 0px;\">\u7a76\u3001\u7279\u306b\u65e5\u672c\u306b\u7279\u5316\u3057\u305f\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u3057\u307e\u3057\u305f\u3002\u7ffb\u8a33\u3068\u7de8\u96c6\u306e\u5206\u91ce\u306715\u5e74\u306e\u7d4c\u9a13\u304c\u3042<\/span><span style=\"letter-spacing: 0px;\">\u308a\u307e\u3059\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\u306e\u30a2\u30b8\u30a2\u3068\u30a2\u30d5\u30ea\u30ab\u7814\u7a76\u30d7\u30ed\u30b0\u30e9\u30e0\u306e\u30a2\u30c9\u30d0\u30a4\u30b6\u30ea\u30fc\u30b3<\/span><span style=\"letter-spacing: 0px;\">\u30df\u30c3\u30c8\u30c6\u30a3\u30fc\u306e\u4e00\u54e1\u3068\u3057\u3066\u3001Vania De la Vega Shiota\u6c0f\u3068\u5171\u306b\u3001\u30a2\u30b8\u30a2\u3068\u30a2\u30d5\u30ea\u30ab\u306b\u304a\u3051<\/span><span style=\"letter-spacing: 0px;\">\u308b\u30b8\u30a7\u30f3\u30c0\u30fc\u306b\u95a2\u3059\u308b\u8aad\u66f8\u30b5\u30fc\u30af\u30eb\u3084\u56fd\u969b\u7684\u306a\u65e5\u672c\u6587\u5b66\u3068\u30b8\u30a7\u30f3\u30c0\u30fc\u306b\u95a2\u3059\u308b\u30bb\u30df\u30ca\u30fc<\/span><span style=\"letter-spacing: 0px;\">\u3092\u5171\u540c\u3067\u958b\u50ac\u3057\u307e\u3057\u305f\uff082020\u5e74\uff09\u3002\u307e\u305f\u3001\u65e5\u672c\u8ca1\u56e3\u30e1\u30ad\u30b7\u30b3\u3068\u65e5\u672c\u8ca1\u56e3\u30de\u30c9\u30ea\u30c3\u30c9\u306e<\/span><span style=\"letter-spacing: 0px;\">\u5171\u540c\u5236\u4f5c\u306e\u65e5\u672c\u6587\u5b66\u306e\u30dd\u30c3\u30c9\u30ad\u30e3\u30b9\u30c8\u3067\u3042\u308b\u300c\u30c4\u30f3\u30c9\u30af\u300d\u306b\u3082\u53c2\u52a0\u3057\u307e\u3057\u305f\u3002\u73fe\u5728\u3001\u30e1<\/span><span style=\"letter-spacing: 0px;\">\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\u306e\u30d5\u30a1\u30fc\u30c6\u30a3\u30de\u30fb\u30e1\u30eb\u30cb\u30c3\u30b7\u7279\u5225\u8b1b\u5ea7\u306e\u5b66\u8853\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3092\u52d9<\/span><span style=\"letter-spacing: 0px;\">\u3081\u3066\u3044\u307e\u3059\uff082023-2025\u5e74\uff09\u3002<\/span><\/div>\n<div><span style=\"letter-spacing: 0px;\"><br><\/span><\/div>\n<div>\u30e1\u30fc\u30eb\u30fbalejandra_tapia@cieg.unam.mx<\/div>\n<\/div>\n<div><br><\/div>\n<div>\n<h4>Teruaki Yamaguchi<\/h4>\n<h4><span style=\"letter-spacing: 0px;\">\u5c71\u53e3\u8f1d\u662d<\/span><\/h4>\n<\/div>\n<div><span style=\"letter-spacing: 0px;\"><br><\/span><\/div>\n<div>\n<div style=\"\">Licenciado en Educaci\u00f3n Art\u00edstica por la Facultad de Pedagog\u00eda de la Universidad de&nbsp;<span style=\"letter-spacing: 0px;\">Utsunomiya, y maestro en Artes Visuales del Posgrado de Artes Visuales de la Universidad&nbsp;<\/span><span style=\"letter-spacing: 0px;\">de Tsukuba. Desde 2010 trabaja en la Facultad de Artes de la Universidad Aut\u00f3noma de&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Baja California, donde actualmente es profesor\u2013investigador de tiempo completo e&nbsp;<\/span><span style=\"letter-spacing: 0px;\">integrante del Cuerpo Acad\u00e9mico &amp;quot;Imagen y Creaci\u00f3n&amp;quot;. Es candidato a doctor del Doctorado&nbsp;<\/span><span style=\"letter-spacing: 0px;\">en Artes del INBAL. Como artista ha ganado premios nacionales e internacionales: primer&nbsp;<\/span><span style=\"letter-spacing: 0px;\">lugar de la categor\u00eda docentes y egresados de la 7ma Bienal Internacional de Arte Visual&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Universitario de la Universidad Aut\u00f3noma del Estado de M\u00e9xico (2018,) y menci\u00f3n&nbsp;<\/span><span style=\"letter-spacing: 0px;\">honor\u00edfica en el IV Concurso Anual Arte Abierto, Arte para Todos, del museo Leopoldo&nbsp;<\/span><span style=\"letter-spacing: 0px;\">Flores de la UAEM (2009).<\/span><\/div>\n<div style=\"\"><br><\/div>\n<div style=\"\">Contacto: tyamaguchi@uabc.edu.mx<\/div>\n<\/div>\n<div style=\"\"><br><\/div>\n<div style=\"\"><div>\u5b87\u90fd\u5bae\u5927\u5b66\u6559\u80b2\u5b66\u90e8\u5352\u696d\u3001\u6559\u80b2\u5b66\u5b66\u58eb\uff08\u7f8e\u8853\u6559\u80b2\uff09\u3001\u7b51\u6ce2\u5927\u5b66\u5927\u5b66\u9662\u82b8\u8853\u7814\u7a76\u79d1\u7f8e\u8853\u5c02&nbsp;<span style=\"letter-spacing: 0px;\">\u653b\u4fee\u4e86\u3001\u82b8\u8853\u5b66\u4fee\u58eb\u30022010\u5e74\u4ee5\u964d\u3001\u30d0\u30cf\u30fb\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u81ea\u6cbb\u5927\u5b66\u82b8\u8853\u5b66\u90e8\u3067\u6559\u6388\u30fb<\/span><span style=\"letter-spacing: 0px;\">\u7814\u7a76\u8005\u3068\u3057\u3066\u52e4\u52d9\u3057\u3001\u300c\u30a4\u30e1\u30fc\u30b8\u3068\u5275\u9020\u300d\u5b66\u8853\u30b0\u30eb\u30fc\u30d7\u306e\u4e00\u54e1\u3068\u3057\u3066\u6d3b\u52d5\u3057\u3066\u307e\u3059\u3002\u56fd<\/span><span style=\"letter-spacing: 0px;\">\u7acb\u7f8e\u8853\u5b66\u9662\u306e\u82b8\u8853\u535a\u58eb\u53f7\u53d6\u5f97\u5019\u88dc\u30022018\u5e74\u3001\u30e1\u30ad\u30b7\u30b3\u5dde\u7acb\u81ea\u6cbb\u5927\u5b66\u4e3b\u50ac\u7b2c7\u56de\u56fd\u969b\u8996\u899a<\/span><span style=\"letter-spacing: 0px;\">\u82b8\u8853\u30d3\u30a8\u30f3\u30ca\u30fc\u30ec\u306e\u6559\u54e1\u30fb\u5352\u696d\u751f\u30ab\u30c6\u30b4\u30ea\u30fc\u3067\u5927\u8cde\u3001\u307e\u305f\u540c\u5927\u5b66\u306e\u30ec\u30aa\u30dd\u30eb\u30c9\u30fb\u30d5\u30ed\u30fc<\/span><span style=\"letter-spacing: 0px;\">\u30ec\u30b9\u7f8e\u8853\u9928\u304c2009\u5e74\u306b\u4e3b\u50ac\u3057\u305f\u3001\u7b2c4\u56de\u30a2\u30fc\u30c8\u30aa\u30fc\u30d7\u30f3\u30fb\u30a2\u30cb\u30e5\u30a2\u30eb\u30b3\u30f3\u30c6\u30b9\u30c8\u300c\u30a2\u30eb<\/span><span style=\"letter-spacing: 0px;\">\u30c6\u30fb\u30a2\u30d3\u30a8\u30eb\u30c8\u30fb\u30a2\u30eb\u30c6\u30fb\u30d1\u30e9\u30fb\u30c8\u30c9\u30b9\u300d\u306b\u304a\u3044\u3066\u4f73\u4f5c\u7b49\u3001 \u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3068\u3057\u3066 \u56fd\u5185<\/span><span style=\"letter-spacing: 0px;\">\u5916\u306e\u8cde\u3092\u53d7\u8cde\u3057\u3066\u3044\u307e\u3059\u3002<\/span><\/div><div><span style=\"letter-spacing: 0px;\"><br><\/span><\/div><div>\u30e1\u30fc\u30eb\u30fbtyamaguchi@uabc.edu.mx<\/div><div><br><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2828cd72 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"2828cd72\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1fe5c410 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"1fe5c410\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon\" href=\"https:\/\/www.facebook.com\/sepiacmexjp\/\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fab-facebook\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M504 256C504 119 393 8 256 8S8 119 8 256c0 123.78 90.69 226.38 209.25 245V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.28c-30.8 0-40.41 19.12-40.41 38.73V256h68.78l-11 71.69h-57.78V501C413.31 482.38 504 379.78 504 256z\"><\/path><\/svg>\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c296469 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"c296469\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon\" href=\"https:\/\/www.instagram.com\/sepiacmexjp\/?hl=en\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fab-instagram\" viewBox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M224.1 141c-63.6 0-114.9 51.3-114.9 114.9s51.3 114.9 114.9 114.9S339 319.5 339 255.9 287.7 141 224.1 141zm0 189.6c-41.1 0-74.7-33.5-74.7-74.7s33.5-74.7 74.7-74.7 74.7 33.5 74.7 74.7-33.6 74.7-74.7 74.7zm146.4-194.3c0 14.9-12 26.8-26.8 26.8-14.9 0-26.8-12-26.8-26.8s12-26.8 26.8-26.8 26.8 12 26.8 26.8zm76.1 27.2c-1.7-35.9-9.9-67.7-36.2-93.9-26.2-26.2-58-34.4-93.9-36.2-37-2.1-147.9-2.1-184.9 0-35.8 1.7-67.6 9.9-93.9 36.1s-34.4 58-36.2 93.9c-2.1 37-2.1 147.9 0 184.9 1.7 35.9 9.9 67.7 36.2 93.9s58 34.4 93.9 36.2c37 2.1 147.9 2.1 184.9 0 35.9-1.7 67.7-9.9 93.9-36.2 26.2-26.2 34.4-58 36.2-93.9 2.1-37 2.1-147.8 0-184.8zM398.8 388c-7.8 19.6-22.9 34.7-42.6 42.6-29.5 11.7-99.5 9-132.1 9s-102.7 2.6-132.1-9c-19.6-7.8-34.7-22.9-42.6-42.6-11.7-29.5-9-99.5-9-132.1s-2.6-102.7 9-132.1c7.8-19.6 22.9-34.7 42.6-42.6 29.5-11.7 99.5-9 132.1-9s102.7-2.6 132.1 9c19.6 7.8 34.7 22.9 42.6 42.6 11.7 29.5 9 99.5 9 132.1s2.7 102.7-9 132.1z\"><\/path><\/svg>\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Amad\u00eds Ross \u30a2\u30de\u30c7\u30a3\u30b9\u30fb\u30ed\u30c3\u30b9 Coordinador del Seminario. Escritor y acad\u00e9mico. Le interesan el papel de la ciencia ficci\u00f3n&nbsp;en la conformaci\u00f3n de la identidad, las resistencias ante el proceso de homogenizaci\u00f3n de&nbsp;la modernidad occidental y los estudios comparados entre M\u00e9xico y Jap\u00f3n. Miembro de la&nbsp;Sociedad General de Escritores de M\u00e9xico desde 1998. Estudioso de la cultura japonesa&nbsp;desde 1999. Es tambi\u00e9n coordinador del Seminario Est\u00e9ticas de Ciencia Ficci\u00f3n (Cenidiap,&nbsp;INBAL). Contacto: cenidiap.sepiacmj@inba.gob.mx Tel\u00e9fono: (+52) 55 4845 8262 \u672c\u30bb\u30df\u30ca\u30fc\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3002\u56fd\u7acb\u82b8\u8853\u6587\u5b66\u9662\u56fd\u7acb\u9020\u5f62\u82b8\u8853\u7814\u7a76\u8cc7\u6599\u60c5\u5831\u30bb\u30f3\u30bf\u30fc\uff08Cenidiap, INBAL\uff09\u52e4\u52d9\u3000\u5c0f\u8aac\u5bb6\u3001\u5b66\u8005\u3002\u897f\u6d0b\u8fd1\u4ee3\u5316\u306e\u5747\u8cea\u5316\u30d7\u30ed\u30bb\u30b9\u306b\u5bfe\u3059\u308b\u62b5\u6297\u3001SF\u304c\u30a2\u30a4\u30c7\u30f3\u30c6\u30a3\u30c6\u30a3\u306e\u5f62\u6210\u306b\u679c\u305f\u3059\u306e\u5f79\u5272\u3001\u304a\u3088\u3073\u30e1\u30ad\u30b7\u30b3\u3068\u65e5\u672c\u306e\u6bd4\u8f03\u7814\u7a76\u306b&nbsp;\u95a2\u5fc3\u3092\u62b1\u3044\u3066\u3044\u307e\u3059\u30021998\u5e74\u304b\u3089\u30e1\u30ad\u30b7\u30b3\u4f5c\u5bb6\u5354\u4f1a\u306e\u4e00\u54e1\u3067\u3042\u308a\u30011999\u5e74\u3088\u308a\u65e5\u672c\u6587&nbsp;\u5316\u306b\u8208\u5473\u3092\u6301\u3061\u59cb\u3081\u3066\u3044\u307e\u3059\u3002\u672c\u30bb\u30df\u30ca\u30fc\u3068\u4e26\u884c\u3057 Cenidiap\u306b\u3066\u300cSF\u7f8e\u5b66\u30bb\u30df\u30ca\u30fc\u300d\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u517c\u52d9\u3002 \u30e1\u30fc\u30eb\u30fbcenidiap.sepiacmj@inba.gob.mx \u96fb\u8a71: (+52) 55 4845 8262 Laura Gonz\u00e1lez y Matute \u30e9\u30a6\u30e9\u30fb\u30b4\u30f3\u30b6\u30ec\u30b9\u30fb\u30de\u30c8\u30a5\u30c6 Investigadora y conferencista. Licenciatura en Historia y maestr\u00eda Historia del Arte en la&nbsp;Facultad de Filosof\u00eda y Letras de la UNAM. Subdirectora de Investigaci\u00f3n del Cenidiap de&nbsp;2000 a 2002. Subdirectora del Museo de Arte Moderno del Instituto Nacional de Bellas&nbsp;Artes y Literatura de 2002 a 2007. Ha publicado los libros Escuelas de Pintura al Aire Libre y&nbsp;Centros Populares de Pintura (1987), \u00a130-30! Contra la Academia de Pintura (1992), Jos\u00e9&nbsp;Clemente Orozco. Escen\u00f3grafo (2000), y \u201cTamiji Kitagawa, un pincel trasciende fronteras\u201d&nbsp;en el Semanario Permanente de Investigaci\u00f3n de Arte y Cultura M\u00e9xico-Jap\u00f3n (2022).&nbsp;Realiz\u00f3 el video Murales en movimiento. Jos\u00e9 Clemente Orozco, escen\u00f3grafo y las hermanas Campobello (2022), presentado en el Festival Internacional Shorts M\u00e9xico y galardonado&nbsp;con doce laureles internacionales. &nbsp; Contacto: gomatla@yahoo.com.mx &nbsp; \u7814\u7a76\u8005\u304a\u3088\u3073\u8b1b\u6f14\u8005\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\uff08UNAM\uff09\u54f2\u5b66\u30fb\u6587\u5b66\u90e8\u3067\u6b74\u53f2\u5b66\u306e\u5b66\u58eb\u53f7\u3001\u304a\u3088\u3073\u7f8e\u8853\u53f2\u306e\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u30022000\u5e74\u304b\u30892002\u5e74\u307e\u3067Cenidiap\u306e\u7814\u7a76\u90e8\u9580\u306e\u526f\u6240\u9577\u30022002\u5e74\u304b\u30892007\u5e74\u307e\u3067\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u7f8e\u8853\u6587\u5b66\u7814\u7a76\u6240\u306e\u73fe\u4ee3\u7f8e\u8853\u9928\u306e\u526f\u6240\u9577\u3002\u8457\u66f8\u306b\u306f\u3001\u300eEscuelas de Pintura al Aire Libre y Centros Populares de Pintura\u300f\uff081987\u5e74\uff09\u3001\u300e\u00a130-30! Contra la Academia de Pintura\u300f\uff081992\u5e74\uff09\u3001\u300eJos\u00e9 Clemente Orozco.&nbsp;Escen\u00f3grafo\u300f\uff082000\u5e74\uff09\u3001\u304a\u3088\u3073\u300eTamiji Kitagawa, un pincel trasciendefronteras\u300f\uff082022\u5e74\uff09\u3001\u30e1\u30ad\u30b7\u30b3\u65e5\u672c\u6587\u5316\u82b8\u8853\u7814\u7a76\u5e38\u8a2d\u30bb\u30df\u30ca\u30fc\u9031\u520a\u8a8c\u3067\u5236\u4f5c\u3055\u308c\u305f\u6587\u7ae0\u3002\u300c\u52d5\u304f\u58c1\u753b\u3002\u30db\u30bb\u30fb\u30af\u30ec\u30e1\u30f3\u30c6\u30fb\u30aa\u30ed\u30b9\u30b3\u3001\u821e\u53f0\u7f8e\u8853\u5bb6\u3001\u305d\u3057\u3066\u30ab\u30f3\u30dd\u30d9\u30fc\u30b8\u30e7\u59c9\u59b9\u300d\uff082022\u5e74\uff09\u3068\u3044\u3046\u30d3\u30c7\u30aa\u3092\u5236\u4f5c\u3057\u307e\u3057\u305f\u3002\u3053\u306e\u4f5c\u54c1\u306f\u56fd\u969b\u30b7\u30e7\u30fc\u30c8\u30d5\u30a3\u30eb\u30e0\u30d5\u30a7\u30b9&nbsp;\u30c6\u30a3\u30d0\u30eb\u30fb\u30e1\u30ad\u30b7\u30b3\u3067\u4e0a\u6620\u3055\u308c\u300112\u306e\u56fd\u969b\u7684\u306a\u8cde\u3092\u53d7\u8cde\u3057\u307e\u3057\u305f\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fbgomatla@yahoo.com.mx &nbsp; &nbsp; Mar\u00eda Teresa Favela Fierro \u30de\u30ea\u30a2\u30fb\u30c6\u30ec\u30b5\u30fb\u30d5\u30a1\u30d9\u30e9\u30fb\u30d5\u30a3\u30a8\u30ed Licenciada en Historia del Arte por la Universidad Iberoamericana. Maestr\u00eda y doctorado en&nbsp;Historia del Arte en la Facultad de Filosof\u00eda y Letras de la UNAM, obteniendo este \u00faltimo&nbsp;con menci\u00f3n honor\u00edfica. Investigadora del Centro Nacional de Investigaci\u00f3n,&nbsp;Documentaci\u00f3n e Informaci\u00f3n de Artes Pl\u00e1sticas del INBAL. Destacan sus libros Jorge&nbsp;Gonz\u00e1lez Camarena. Universo pl\u00e1stico; Francisco Goitia, pintor del alma del pueblo mexicano;&nbsp;Waldemar Sj\u00f6lander. El gran lenguaje del color; Tosia Malamud. La materia tras la forma; El&nbsp;misticismo de los escultores japoneses en M\u00e9xico, y Pol\u00edtica cultural del INBA durante los a\u00f1os&nbsp;50 a 70: bienales y concursos de escultura. Ha curado m\u00faltiples exhibiciones. Ha organizado&nbsp;dos foros de Escultura Mexicana. Ocup\u00f3 el puesto de Presidenta de la Secci\u00f3n Mexicana de&nbsp;la Asociaci\u00f3n Internacional de Cr\u00edticos de Arte (AICA). &nbsp; Contacto: terefavela1@hotmail.com &nbsp; \u30a2\u30a4\u30d9\u30ed\u30a2\u30e1\u30ea\u30ab\u5927\u5b66\u3067\u7f8e\u8853\u53f2\u306e\u5b66\u58eb\u53f7\u3092\u53d6\u5f97\u3002UNAM\u306e\u54f2\u5b66\u30fb\u6587\u5b66\u90e8\u3067\u7f8e\u8853\u53f2\u306e\u4fee\u58eb&nbsp;\u53f7\u3068\u535a\u58eb\u53f7\u3092\u53d6\u5f97\u3057\u3001\u5f8c\u8005\u306f\u512a\u7b49\u8a55\u4fa1\u3092\u53d7\u3051\u307e\u3057\u305f\u3002INBAL\u306e\u7f8e\u8853\u95a2\u9023\u306e\u56fd\u7acb\u7814\u7a76\u3001\u6587\u732e\u3001\u60c5\u5831\u30bb\u30f3\u30bf\u30fc\u306e\u7814\u7a76\u8005\u3002\u5f7c\u5973\u306e\u8457\u66f8\u306b\u306f\u300cJorge Gonz\u00e1lez Camarena. Universo&nbsp;pl\u00e1stico\u300d\u3001\u300cFrancisco Goitia, pintor del alma del pueblo mexicano\u300d\u3001\u300cWaldemar Sj\u00f6lander.&nbsp;El gran lenguaje del color\u300d\u3001\u300cTosia Malamud. La materia tras la forma\u300d\u3001\u300cEl misticismo de&nbsp;los escultores japoneses en M\u00e9xico\u300d\u3001\u300cPol\u00edtica cultural del INBA durante los a\u00f1os 50 a 70:&nbsp;Bienales y concursos de escultura\u300d\u306a\u3069\u304c\u3042\u308a\u307e\u3059\u3002\u5f7c\u5973\u306f\u591a\u304f\u306e\u5c55\u793a\u4f1a\u3092\u30ad\u30e5\u30ec\u30fc\u30b7\u30e7\u30f3\u3057\u3066\u3044\u307e\u3059\u3002\u307e\u305f\u3001\u30e1\u30ad\u30b7\u30b3\u5f6b\u523b\u30d5\u30a9\u30fc\u30e9\u30e0\u30922\u56de\u7d44\u7e54\u3057\u307e\u3057\u305f\u3002\u56fd\u969b\u7f8e\u8853\u8a55\u8ad6\u5bb6\u5354\u4f1a\uff08AICA\uff09\u306e\u30e1\u30ad\u30b7\u30b3\u652f\u90e8\u306e\u4f1a\u9577\u3082\u52d9\u3081\u307e\u3057\u305f\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fbterefavela1@hotmail.com &nbsp; &nbsp; Nina Hasegawa \u9577\u8c37\u5ddd \u30cb\u30ca Profesora del Departamento de Estudios Hisp\u00e1nicos de la Facultad de Estudios Extranjeros&nbsp;de la Universidad Sophia. Especialista en Japonolog\u00eda y Literatura-Cultura Comparadas.&nbsp;Curs\u00f3 sus estudios de licenciatura en la Universidad de Estudios Extranjeros de Tokio y de&nbsp;maestr\u00eda y doctorado en la Universidad de Tokio. Se dedica al estudio del impreso popular&nbsp;mexicano de finales del siglo XIX principios del XX, a la comparaci\u00f3n de valores culturales y&nbsp;a la formaci\u00f3n de la identidad. Contacto: ninalluhi@gmail.com &nbsp; \u4e0a\u667a\u5927\u5b66\u5916\u56fd\u8a9e\u5b66\u90e8\u30a4\u30b9\u30d1\u30cb\u30a2\u8a9e\u5b66\u79d1\u6559\u6388\u3002\u5c02\u9580\u5206\u91ce\u306f\u65e5\u672c\u8a9e\u30fb\u65e5\u672c\u5b66\uff08\u6771\u4eac\u5916\u56fd\u8a9e\u5927&nbsp;\u5b66\u5b66\u58eb\u8ab2\u7a0b\uff09\u53ca\u3073\u6bd4\u8f03\u6587\u5b66\u30fb\u6bd4\u8f03\u6587\u5316\uff08\u6771\u4eac\u5927\u5b66\u535a\u58eb\u524d\u671f\u8ab2\u7a0b\u30fb\u535a\u58eb\u5f8c\u671f\u8ab2\u7a0b\uff09\u3002\u7814\u7a76&nbsp;\u5206\u91ce\u306f\uff11\uff19\u4e16\u7d00\u672b\uff12\uff10\u4e16\u7d00\u521d\u982d\u30e1\u30ad\u30b7\u30b3\u5927\u8846\u5411\u3051\u5370\u5237\u7269\u3002\u65e5\u672c\u3068\u30e9\u30c6\u30f3\u30a2\u30e1\u30ea\u30ab\u306b\u304a\u3051\u308b\u6587\u5316\u7684\u4fa1\u5024\u89b3\u306e\u6bd4\u8f03\u7814\u7a76\u3002\u30e1\u30ad\u30b7\u30b3\u3092\u4e2d\u5fc3\u3068\u3057\u305f\u5357\u7c73\u306e\u30a2\u30a4\u30c7\u30f3\u30c6\u30a3\u30c6\u30a3\u5f62\u6210\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fbninalluhi@gmail.com &nbsp; &nbsp; Sergio Hern\u00e1ndez Galindo \u30bb\u30eb\u30d2\u30aa\u30fb\u30a8\u30eb\u30ca\u30f3\u30c7\u30b9\u30fb\u30ac\u30ea\u30f3\u30c9 Es profesor-investigador titular de la Direcci\u00f3n de Estudios Hist\u00f3ricos del INAH. Se&nbsp;especializ\u00f3 en la Historia de Jap\u00f3n en el Centro de Estudios de Asia y \u00c1frica de El Colegio de&nbsp;M\u00e9xico. Sus l\u00edneas de investigaci\u00f3n se centran en la construcci\u00f3n de las relaciones entre&nbsp;Jap\u00f3n y M\u00e9xico desde una perspectiva mundial as\u00ed como en la cultura y la historia de la&nbsp;inmigraci\u00f3n japonesa en M\u00e9xico y Latinoam\u00e9rica. &nbsp; Contacto: sergioherg@prodigy.net.mx &nbsp; INAH\uff08\u56fd\u7acb\u4eba\u985e\u5b66\u6b74\u53f2\u7814\u7a76\u6240\uff09\u6b74\u53f2\u7814\u7a76\u90e8\u6b63\u6559\u6388\u7814\u7a76\u54e1\u3002COLMEX\uff08\u30e1\u30ad\u30b7\u30b3\u5927\u5b66\u9662&nbsp;\u5927\u5b66\uff09\u30a2\u30b8\u30a2\u30fb\u30a2\u30d5\u30ea\u30ab\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u3067\u65e5\u672c\u6b74\u53f2\u3092\u5c02\u653b\u3002\u30b0\u30ed\u30fc\u30d0\u30eb\u306a\u8996\u70b9\u304b\u3089\u306e\u65e5\u672c\u3068\u30e1\u30ad\u30b7\u30b3\u306e\u95a2\u4fc2\u69cb\u7bc9\u306e\u6b74\u53f2\u3001\u307e\u305f\u3001\u30e1\u30ad\u30b7\u30b3\u53ca\u3073\u4ed6\u306e\u30e9\u30c6\u30f3\u30a2\u30e1\u30ea\u30ab\u8af8\u56fd\u3078\u306e\u65e5\u672c\u79fb&nbsp;\u6c11\u306e\u6587\u5316\u3068\u6b74\u53f2\u3092\u4e3b\u306a\u7814\u7a76\u30c6\u30fc\u30de\u3068\u3057\u3066\u3044\u308b\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fbsergioherg@prodigy.net.mx &nbsp; Marlitt Almod\u00f3var \u30de\u30fc\u30ea\u30c3\u30c8\u30fb\u30a2\u30b9\u30e2\u30c9\u30d0\u30eb &nbsp; Artista visual. Licenciatura en Artes Visuales, Facultad de Artes y Dise\u00f1o de la UNAM.&nbsp;Maestr\u00eda en Pintura con el tema de investigaci\u00f3n \u201cNihonga y el paso del tiempo\u201d, UNAM. &nbsp; Contacto: marlitt@gmail.com &nbsp; Instagram: @vanitiangirl &nbsp; \u8996\u899a\u82b8\u8853\u5bb6\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\u82b8\u8853\u30fb\u30c7\u30b6\u30a4\u30f3\u5b66\u90e8\u3067\u8996\u899a\u82b8\u8853\u306e\u5b66\u58eb\u53f7\u3092\u53d6\u5f97\u3002UNAM\u3067\u300c\u65e5\u672c\u753b\u3068\u6642\u9593\u306e\u7d4c\u904e\u300d\u3068\u3044\u3046\u7814\u7a76\u30c6\u30fc\u30de\u3067\u7d75\u753b\u306e\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fbmarlitt@gmail.com &nbsp; Instagram\u30fb@vanitiangirl &nbsp; &nbsp; &nbsp; Lesly Bernal L\u00f3pez \u30ec\u30b9\u30ea\uff0d\u30fb\u30d9\u30eb\u30ca\u30eb\u30fb\u30ed\u30da\u30b9 Dise\u00f1adora Gr\u00e1fica. Desde el 2011 es docente de educaci\u00f3n secundaria con especialidad en&nbsp;Dise\u00f1o y Creaci\u00f3n Pl\u00e1stica. Acreedora de la beca MEXT del gobierno de Jap\u00f3n para el&nbsp;programa de maestros en servicio en la Universidad de Educaci\u00f3n de Aichi del 2019 a&nbsp;2021. Miembro de la mesa directiva de la Asociaci\u00f3n Mexicana de Exbecarios del Jap\u00f3n&nbsp;(AMEJ). Estudiante de maestr\u00eda en Docencia en Artes y Dise\u00f1o de la UNAM. Su l\u00ednea de&nbsp;investigaci\u00f3n se centra en la educaci\u00f3n art\u00edstica. &nbsp; Contacto: lybelopez@gmail.com &nbsp; \u30b0\u30e9\u30d5\u30a3\u30c3\u30af\u30c7\u30b6\u30a4\u30ca\u30fc\u5c02\u653b\u30022011\u5e74\u4ee5\u964d\u3001\u4e2d\u7b49\u6559\u80b2\u306e\u6559\u5e2b\u3067\u3001\u30c7\u30b6\u30a4\u30f3\u3068\u9020\u5f62\u306b\u7279\u5316\u3057\u305f\u5c02\u9580\u77e5\u8b58\u3092\u6301\u3063\u3066\u3044\u307e\u3059\u30022019\u5e74\u304b\u30892021\u5e74\u307e\u3067\u3001\u65e5\u672c\u653f\u5e9c\u6587\u90e8\u79d1\u5b66\u7701\u5968\u5b66\u91d1\u3092\u53d7\u3051\u3001\u611b\u77e5\u6559\u80b2\u5927\u5b66\u306e\u6559\u54e1\u7814\u4fee\u30d7\u30ed\u30b0\u30e9\u30e0\u3067\u5b66\u3076\u3002\u30e1\u30ad\u30b7\u30b3\u65e5\u672c\u7559\u5b66\u751f\u5354\u4f1a\uff08AMEJ\uff09\u306e\u5f79\u54e1\u3082\u52d9\u3081\u3066\u3044\u307e\u3059\u3002\u30e1\u30ad\u30b7\u30b3\u56fd\u7acb\u81ea\u6cbb\u5927\u5b66\uff08UNAM\uff09\u3067\u82b8\u8853\u3068\u30c7\u30b6\u30a4\u30f3\u306e\u6559\u80b2\u4fee\u58eb\u53f7\u3092\u53d6\u5f97\u4e2d\u306e\u5b66\u751f\u3067\u3042\u308a\u3001\u7814\u7a76\u30c6\u30fc\u30de\u306f\u7f8e\u8853\u6559\u80b2\u306b\u7126\u70b9\u3092\u5f53\u3066\u3066\u3044\u307e\u3059\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fblybelopez@gmail.com &nbsp; &nbsp; Mario Javier Bogar\u00edn Quintana \u30de\u30ea\u30aa\u30fb\u30cf\u30d3\u30a8\u30eb\u30fb\u30dc\u30ac\u30ea\u30f3\u30fb\u30ad\u30f3\u30bf\u30ca Doctor en Ciencias Sociales por El Colegio de Michoac\u00e1n. Profesor-Investigador de Tiempo&nbsp;Completo y actual Coordinador de Investigaci\u00f3n y Posgrado de la Facultad de Artes de la&nbsp;Universidad Aut\u00f3noma de Baja California. Especializado en estudios sobre la recepci\u00f3n de&nbsp;culturas populares japonesas contempor\u00e1neas en M\u00e9xico, as\u00ed como en est\u00e9tica y sociolog\u00eda&nbsp;del arte pop japon\u00e9s, cultiva adem\u00e1s una l\u00ednea de estudios sobre filosof\u00eda de la Escuela de&nbsp;Kioto. Ha publicado siete libros como autor \u00fanico y una docena m\u00e1s como coordinador.&nbsp;Colabora con diversas instituciones acad\u00e9micas en M\u00e9xico, Europa y Jap\u00f3n en proyectos de&nbsp;divulgaci\u00f3n de las culturas mexicana y japonesa. Investigador Nacional Nivel I del Sistema&nbsp;Nacional de Investigadores de M\u00e9xico. &nbsp; Contacto: mariobogarin@uabc.edu.mx &nbsp; \u30a8\u30eb\u30b3\u30ec\u30d2\u30aa\u30c7\u30df\u30c1\u30e7\u30a2\u30ab\u30f3\u3067\u793e\u4f1a\u79d1\u5b66\u306e\u535a\u58eb\u53f7\u3092\u53d6\u5f97. \u30d0\u30cf\u30ab\u30ea\u30d5\u30a9\u30eb\u30cb\u30a2\u81ea\u5f8b\u7684\u5927\u5b66\u82b8\u8853\u5b66\u90e8\u306e\u5e38\u52e4\u6559\u6388\u517c\u7814\u7a76\u8005\u3067\u3042\u308a\u3001\u73fe\u5728\u7814\u7a76\u304a\u3088\u3073\u5927\u5b66\u9662\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3092\u52d9\u3081\u3066\u3044\u308b. \u30e1\u30ad\u30b7\u30b3\u306b\u304a\u3051\u308b\u73fe\u4ee3\u65e5\u672c\u306e\u5927\u8846\u6587\u5316\u306e\u53d7\u5bb9\u306b\u95a2\u3059\u308b\u7814\u7a76\u3001\u65e5\u672c\u306e\u30dd\u30c3\u30d7\u30a2\u30fc\u30c8\u306e\u7f8e\u5b66\u793e\u4f1a\u5b66\u3092\u5c02\u9580\u3068\u3057\u3001\u4eac\u90fd\u5b66\u6d3e\u306e\u54f2\u5b66\u7814\u7a76\u306e\u4e00\u7cfb\u3082\u57f9\u3063\u3066\u3044\u308b. \u5f7c\u306f\u5358\u72ec\u8457\u8005\u3068\u3057\u3066 7 \u518a\u306e\u672c\u3092\u51fa\u7248\u3057\u3001\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\u3068\u3057\u3066\u3055\u3089\u306b 12 \u518a\u306e\u672c\u3092\u51fa\u7248\u3057\u3066\u3044\u307e\u3059\u3002\u5f7c\u306f\u30e1\u30ad\u30b7\u30b3\u3001\u30e8\u30fc\u30ed\u30c3\u30d1\u3001\u65e5\u672c\u306e\u3055\u307e\u3056\u307e\u306a\u5b66\u8853\u6a5f\u95a2\u3068\u5354\u529b\u3057\u3066\u3001\u30e1\u30ad\u30b7\u30b3\u3068\u65e5\u672c\u306e&nbsp;\u6587\u5316\u3092\u5e83\u3081\u308b\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306b\u53d6\u308a\u7d44\u3093\u3067\u3044\u307e\u3059. \u30e1\u30ad\u30b7\u30b3\u56fd\u5bb6\u7814\u7a76\u8005\u30b7\u30b9\u30c6\u30e0\u306e\u56fd\u5bb6\u7814 \u7a76\u8005\u30ec\u30d9\u30eb I\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fbmariobogarin@uabc.edu.mx &nbsp; Andr\u00e9s Camacho L\u00f3pez \u30a2\u30f3\u30c9\u30ec\u30b9\u30fb\u30ab\u30de\u30c1\u30e7\u30fb\u30ed\u30da\u30b9 &nbsp; Doctorando en literatura moderna y cultura popular de Jap\u00f3n por parte de la Universidad&nbsp;de C\u00f3rdoba, Espa\u00f1a. Escritor e investigador en Higashiyoshino, Nara, sobre el Tench\u016bgumi&nbsp;y otras revueltas samur\u00e1is del siglo XIX en Jap\u00f3n. Editor de la Tokidoki Hyakush\u014d, revista&nbsp;biling\u00fce, espa\u00f1ol y japon\u00e9s, de cuento y fotograf\u00eda, sobre la dial\u00e9ctica sociedad naturaleza de los espacios rurales de M\u00e9xico y Jap\u00f3n. Dentro de estos campos de acci\u00f3n, trabaja&nbsp;principalmente con el seppuku, la evisceraci\u00f3n ritual del samur\u00e1i, y otras formas de muerte&nbsp;voluntaria reformuladas dentro de la literatura moderna, el cine y cultura popular de&nbsp;Jap\u00f3n. Tambi\u00e9n, a partir del estudio de Amino Yoshihiko sobre la diversidad rural y&nbsp;campesina asida en el hyakush\u014d, me interesa observar y analizar el trabajo y experiencia&nbsp;fotogr\u00e1fica de Kitai Kazuo y otros fot\u00f3grafos sobre el campo japon\u00e9s entre 1950 y 1970.&nbsp;Habla sin cohesi\u00f3n sobre todos estos temas en mi podcast llamado \u201cJap\u00f3n es chido\u201d. &nbsp; Contacto: kamachiryuga@gmail.com &nbsp; \u30b9\u30da\u30a4\u30f3\u3001\u30b3\u30eb\u30c9\u30d0\u5927\u5b66\u306b\u6240\u5c5e\u3057\u3001\u65e5\u672c\u306e\u73fe\u4ee3\u6587\u5b66\u3068\u5927\u8846\u6587\u5316\u3092\u7814\u7a76\u3057\u3066\u3044\u308b\u535a\u58eb\u8ab2\u7a0b\u5b66\u751f\u3067\u3059\u3002\u307e\u305f\u3001\u5948\u826f\u770c\u6771\u5409\u91ce\u5e02\u3067\u5341\u4e2d\u7d44\u308419\u4e16\u7d00\u306e\u4ed6\u306e\u4f8d\u306e\u53cd\u4e71\u306b\u3064\u3044\u3066\u306e\u4f5c\u5bb6\u304a\u3088\u3073\u7814\u7a76\u8005\u3067\u3082\u3042\u308a\u307e\u3059\u3002\u3055\u3089\u306b\u3001\u300e\u30c8\u30ad\u30c9\u30ad\u767e\u59d3\u300f\u3068\u3044\u3046\u30b9\u30da\u30a4\u30f3\u8a9e\u3068\u65e5\u672c\u8a9e\u306e\u30d0\u30a4\u30ea\u30f3\u30ac\u30eb\u306a\u7269\u8a9e\u3068\u5199\u771f\u306e\u96d1\u8a8c\u306e\u7de8\u96c6\u8005\u3068\u3057\u3066\u3001\u30e1\u30ad\u30b7\u30b3\u3068\u65e5\u672c\u306e\u8fb2\u6751\u5730\u57df\u306e\u793e\u4f1a\u3068\u81ea\u7136&nbsp;\u306e\u76f8\u4e92\u4f5c\u7528\u306b\u3064\u3044\u3066\u63a2\u6c42\u3057\u3066\u3044\u307e\u3059\u3002\u3053\u308c\u3089\u306e\u7814\u7a76\u9818\u57df\u306e\u4e2d\u3067\u3001\u4f8d\u306e\u5100\u5f0f\u7684\u306a\u81ea\u5df1\u5207\u8179\u3067\u3042\u308b\u5207\u8179\u3084\u3001\u65e5\u672c\u306e\u73fe\u4ee3\u6587\u5b66\u3001\u6620\u753b\u3001\u5927\u8846\u6587\u5316\u306b\u304a\u3044\u3066\u518d\u69cb\u7bc9\u3055\u308c\u305f\u4ed6\u306e\u81ea\u767a\u7684\u306a\u6b7b\u306b\u95a2\u9023\u3059\u308b\u30c8\u30d4\u30c3\u30af\u306b\u7126\u70b9\u3092\u5f53\u3066\u3066\u3044\u307e\u3059\u3002\u307e\u305f\u3001\u7db2\u91ce\u5584\u5f66\u306e\u8fb2\u6751\u3068\u8fb2\u6c11\u306e\u591a\u69d8\u6027\u306b\u95a2\u3059\u308b\u7814\u7a76\u3092\u53c2\u8003\u306b\u3057\u30011950\u5e74\u304b\u30891970\u5e74\u306e\u9593\u306e\u65e5\u672c\u306e\u8fb2\u6751\u306b\u95a2\u3059\u308b\u5317\u4e95\u4e00\u592b\u3084\u4ed6\u306e\u5199\u771f\u5bb6\u306e\u4f5c\u54c1\u3068\u7d4c\u9a13\u3092\u89b3\u5bdf\u3057\u3001\u5206\u6790\u3059\u308b\u3053\u3068\u306b\u8208\u5473\u304c\u3042\u308a\u307e\u3059\u3002\u3053\u308c\u3089\u306e\u30c8\u30d4\u30c3\u30af\u306b\u3064\u3044\u3066\u3001\u300cJap\u00f3n es chido\u300d\u3068\u3044\u3046\u30dd\u30c3\u30c9\u30ad\u30e3\u30b9\u30c8\u3067\u7d71\u4e00\u6027\u306e\u306a\u3044\u5f62\u3067\u8a71\u3057\u3066\u3044\u307e\u3059\u3002 &nbsp; \u30e1\u30fc\u30eb\u30fbkamachiryuga@gmail.com &nbsp; &nbsp; Camila Carvallo Bravo \u30ab\u30df\u30e9\u30fb\u30ab\u30eb\u30d0\u30b8\u30aa\u30fb\u30d6\u30e9\u30dc Licenciada en Ciencia Pol\u00edtica y Relaciones Internacionales por el Centro<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":""},"class_list":["post-174","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/pages\/174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/comments?post=174"}],"version-history":[{"count":28,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/pages\/174\/revisions"}],"predecessor-version":[{"id":206,"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/pages\/174\/revisions\/206"}],"wp:attachment":[{"href":"https:\/\/sepiacmj.facultaddeartesmexicaliuabc.com\/index.php\/wp-json\/wp\/v2\/media?parent=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}